Romanticism, Literature and Philosophy

Expressive Rationality in Rousseau, Kant, Wollstonecraft and Contemporary Theory

By: Simon Swift

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Hardcover | 8 June 2006 | Edition Number 1

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Hardcover
192 Pages

Dimensions(cm)
23.4 x 15.6 x 1.27

Hardcover

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Romanticism, Literature and Philosophy proposes a radical revisioning of Romantic literature by developing a new insight into its philosophical importance. It challenges both a number of recent attacks on philosophical reason, and new historicist readings of Romanticism, by arguing that they fundamentally misinterpret what reason is in strikingly similar ways. Engaging with the philosophical, political and literary writings of Rousseau, Kant and Mark Wollstonecraft, and with the deconstruction of Paul de Man and Gayatri Spivak, it suggests that postmodernism's recent assault on Enlightement universalism, and on aesthetic autonomy, in the name of particularity and heterogeneity underestimates the capacity of reason to orient itself towards forms of anthropological and literary defence.

Simon Swift is Lecturer in Critical and Culural Theory at the School of English, University of Leeds.

Industry Reviews

'This book offers a sizeable challenge to received ideas about the relationship between Kant's critical philosophy and those various anthropological concerns that were hitherto thought marginal...to his main philosophical project. He provides some exceptionally acute commentary not only on the tensions in Kant's project but also on the way that they have repeatedly emerged throughout its reception-history to date.

There is much illuminating commentary on the emergence of themes in the writings of Rousseau and Mary Wollstonecraft... Swift's book offers a strong corrective to interpretations of which take her to have subjugated feminist values and priorities to male conceptions of "enlightened" reason. Swift has clearly learned a good deal from recent developments in literary theory (New Historicist as well as deconstructionist and feminist approached) but deploys them with a keen philosophical intelligence and a well-developed sense of their various shortcomings when applied without sufficiently detailed analysis of the concepts and categories involved. Altogether this book carves out a distinctive and important place in the border-zone between philosophy, literary theory, and cultural history.'--Sanford Lakoff

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