With its moving landscapes and famously independent cultural traditions, Australia is uniquely suited to having its national narrative told through visual documentation. Helen Ennis gathers here a selection of photographs that recount the story of Australia, and through this visual chronicle, she uncovers a distinctively Australian visual culture.
The striking images featured in Photography and Australia, drawn from the National Library of Australia and other public collections, powerfully document the iconic sights of the rugged Australian landscape such as the imposing Ayers Rock, as well as documentary photographs, wilderness shots, post-mortem studies of bushrangers, and other images both quotidian and extraordinary. One of the leading photography historians in Australia, Ennis argues that the colonial experience is a central element of these visual testaments, and embedded within this experience are the tumultuous relations between white settlers and Aboriginal peoples.
Her analysis explores how the photographs reveal the racial, social, and political tensions woven throughout Australian history, ranging from modern works by Aboriginal photographers to archival photographs of desolate mining towns and the peoples who eked out their living from the brutal terrain. The photographers’ personal perspectives are also embedded in the images, Photography and Australia argues, and the book examines how photographers’ responses to place, modernity, and globalization were expressed through their works.
Photography and Australia unearths an original and engaging perspective on Australian history, weaving a wealth of vibrant images into a compelling account that will appeal to the Aussie in all of us.
This is a first-rate book. It reproduces some superb and utterly distinctive imagery. Art Newspaper ... prior to Helen Ennis's Photography and Australia arguably only three books of any significance had been published on the topic. Ennis's survey is distinguished however by more than its mere arrival. Central to her inquiry is the argument that photography in Australia has been inescapably shaped by the country's colonial invasion / inception ... One of the most commendable aspects is Ennis's critical analysis of the medium in relation to the complexity of indigenous and settler Australian relations. Source This is an excellent survey of the major developments, practitioners and icons of Australian photography, providing a wide-ranging, inclusive overview ... Generously illustrated with eighty images, and written in a clear, accessible style, seven chapters cover themes and periods ranging across the entire span of photographic practice in Australia since 1841, and constituting a valuable introduction to the medium's main developments in broad historical context. Journal of Colonialism and Colonial History
|First Photographs||p. 3|
|Black to Blak||p. 31|
|Land and Landscape||p. 51|
|Being Modern||p. 73|
|Made in Australia||p. 90|
|Localism and Internationalism||p. 110|
|The Presence of the Past||p. 134|
|Select Bibliography||p. 149|
|Photo Acknowledgements||p. 152|
|Table of Contents provided by Ingram. All Rights Reserved.|
Number Of Pages: 160
Published: 1st September 2008
Publisher: REAKTION BOOKS
Country of Publication: GB
Dimensions (cm): 22.0 x 19.0 x 1.27
Weight (kg): 0.59