Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice
Finalist for the 2021 Kirkus Prize in Nonfiction
A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year
A startling and profound exploration of how Jewish history is exploited to comfort the living.
Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present.
Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.
About the Author
Dara Horn is the author of five novels and was one of Granta’s Best Young American Novelists. She has taught Jewish literature at Harvard, Sarah Lawrence College, and Yeshiva University. She lives in New Jersey with her family.
Industry Reviews
"Horn herself [is] sometimes a witness, at others providing insightful commentary full of anguish and rage. This is not an easy book to read. But wrestling with Horn’s ideas makes for a rich experience. In all, a profound lament." Ilene Cooper, Booklist
"Barely concealed behind the breezy-sounding words ‘People Love,’ cannily reminiscent of a soap ad, is the implicit understanding that ‘people don’t love live Jews’ and even its complement, ‘people love Jews dead.’ In her latest masterpiece, Horn means them all, and more. The best-selling novelist, professor of Jewish literature, and devoted mother of four does not hesitate to confront this hypocrisy head-on... Horn diagnoses with astonishing accuracy the origins, symptoms, and intransigence of the spiritual cancer at the heart of modern culture." Juliana Geran Pilon, Israel Journal of Foreign Affairs
"Weaving together history, social science, and personal story, she asks readers to think critically about why we venerate stories and spaces that make the destruction of world Jewry a compelling narrative while also minimizing the current crisis of antisemitism... People Love Dead Jews offers no definitive solution to the paradox it unfolds. Horn leaves the reader with several interwoven explanations, each of which lead us to confront the dark reality that Jewish deaths make for a compelling educational narrative, while facing the antisemitism of the present demands a commitment to equality that the world remains unable to embrace." Jonathan Fass, Jewish Book Council
"So necessary and so disquieting…People Love Dead Jews is an outstanding book with a bold mission. It criticizes people, artworks, and public institutions that few others dare to challenge." Yaniv Iczkovits, New York Times Book Review
