From backstage squabbles and box-office chicanery to the gallantry and glory of creation, this book unveils a delightful panorama of opera lore, alternately hilarious, poignant, and wise. Ethan Mordden has mined the literature for "the best stories" and retells them in the fresh and witty style that prompted Publishers Weekly to hail him as "one of the most entertaining and provocative writers around."
Mordden has selected a vast collection of classic, arcane and unusual anecdotes, including Giuseppe Verdi's advice on how to run an opera house and how to write an aria, Enrico Caruso's adventures in the San Francisco earthquake, Arturo Toscanini's reunion dinner with his former lover Geraldine Farrar, and Beverly Sills' ad libbing from the Met balcony during a Lily Pons Lakme. The volume contains sad stories, too, as when Hans von Bulow confronts his wife Cosima after she has left him for Wagner; and silly stories, as when Colonel Henry Mapleson attempts to put on Il Trovatore while missing one of the four principals, Azucena. We see history being made when Gluck's "psychological" orchestration so startles the Paris Opera orchestra that the players trail off in astonishment; and we see history nearly unmade when Luciano Pavarotti's plane crashes en route to Milan.
"There is history here," Mordden notes, "for if many of the tales are silly, many others are telling. They bring us close to a moment in which art is invented, revised, elaborated. The characters of opera's adventures are so vital and stimulating that almost anything they do enlightens us."
Industry Reviews
`Students of historical perspective in vocal and instrumental stylistics will find much to enrich their musical awareness.'
Music Journal
`a highly recommended purchase'
Music Journal
`admirably informative book'
Music Journal
`there are some gems...The perfect thing if you are convalescing from an overdose of bel canto - or can belto.'
Brian Fallon, Irish Times
`Here are the best anecdotes, told with wit, charm and occasionally pathos, which will entertain many readers other than opera lovers.'
Day by Day
`This book is an absolute enjoyment for music lovers and a charming romp into operatic fact and fiction.'
Basil Leverton, Cape Argus
`This is a delightful book for dipping into...an excellent book for post-prandial good humour.'
Opera Now