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Musical Composition in the Twentieth Century - Arnold Whittall

Musical Composition in the Twentieth Century

Paperback

Published: 1st June 2000
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This new book builds on Whittall's Music since the First World War. It updates and reshapes the original text and places it in the wider context of twentieth-century serious music before 1918 and after 1975, surveying the immense variety of technical developments in twentieth-century music. Sections of detailed analysis, with particular emphasis on such major figures as Stravinsky, BartA3k, Messiaen, Tippett, and Ligeti, are framed by more concise sketches of a range of twentieth-century composers from FaurA(c) to Wolfgang Rihm. Extensive musical examples are employed throughout.

`The text is shot through with genuine and telling insights into the compositional process, and the author's observations are expressed throughout with a polished clarity that demands that the book be recommended as an essential preliminary read for all would-be students of twentieth-century classical music.' Musical Letters, vol. 82, no. 3 `The discussion of Nielsen's Fifth Symphony is especially fine, and sufficiently compelling in content and enthusiastic in tone as to send the reader directly off to listen to the music.' Musical Letters, vol. 82, no. 3 `A valuable aspect of Whittall's book is ... its intelligent assessment of Soviet commposers on the evidence of their musical skills rather than merely considering their relationship to their cultural context.' Musical Letters, vol. 82, no. 3 `a magisterial account of a phenomenally broad range of musical styles, distinguished by clarity of expression, comprehensiveness of coverage, sustained analytical insights and first-rate presentation. As a readable and highly informative introduction to the compositonal techniques of 'serious' music of the last century, it is likely to remain a standard text, its grasp of essential aesthetic trends ensuring that both the complexity and humanity of the modern composer's art are vividly conveyed.' Musical Letters, vol. 82, no. 3 `Whittall's emphasis on polarity is a superb way of describing the structure of musical language' The Musical Times

Millennial Prelude Taking Steps: 1900-1918 Symphonic Music After 1918: I Opera Béla Bartók Igor Stravinsky Symphonic Music: II Arnold Schoenberg Alban Berg Anton Webern The Spread of Serialism Three Individualists (Tippett, Messiaen, Carter) Radicals and Rituals Musics of Change: Seven Europeans The Minimalist Experiment Laments and Consolations Polarities, Pluralities Acknowledgements Bibliography Index

ISBN: 9780198166832
ISBN-10: 0198166834
Audience: Professional
Format: Paperback
Language: English
Number Of Pages: 432
Published: 1st June 2000
Country of Publication: GB
Dimensions (cm): 23.42 x 15.62  x 2.24
Weight (kg): 0.62