| List of Illustrations | |
| Foreword | |
| Foreword | |
| Introduction | |
| Music and the History of Ideas | |
| Music History and Its Relation to the History of Ideas | |
| The Concept of Physical and Musical Space in the Renaissance (A Preliminary Sketch) | |
| Music in the Culture of the Renaissance | |
| Musical Genius: Evolution and Origins of a Concept | |
| Taste, Style, and Ideology in Eighteenth-Century Music | |
| Music of the Renaissance as Viewed by Renaissance Musicians | |
| The Problem of Mannerism in Music: An Attempt at a Definition | |
| Humanism in the Music of the Renaissance | |
| Musical Iconography | |
| The Goddess Fortuna in Music, with a Special Study of Josquin'sFortuna d'un gran tempo | |
| Matthaeus Greiter'sFortuna: An Experiment in Chromaticism and in Musical Iconography | |
| The Music in Carpaccio's "St. Jerome's Study" | |
| Problems in Adrian Willaert's Iconography | |
| Ockeghem's Canon for Thirty-Six Voices: An Essay in Musical Iconography | |
| Music in Titian'sBacchanal of the Andrians: Origin and History of theCanon per tonos | |
| Jan van Eyck'sTymotheos: Sculptor or Musician? With an Investigation of the Autobiographic Strain in French Poetry from Rutebeuf to Villon | |
| The Sixteenth-Century Motet | |
| Orlando di Lasso's Antwerp Motet Book and Its Relationship to the Contemporary Netherlandish Motet | |
| A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome | |
| A Music Book for Anne Boleyn | |
| Josquin des Prez | |
| Helmuth Osthoff's Josquin Monograph | |
| Josquin des Prez and Ascanio Sforza | |
| Ascanio Sforza's Life: A Key to Josquin's Biography and an Aid to the Chronology of His Works | |
| Ludovico il Moro's Visit to the Abbey of Chiaravalle in 1497: A Report to Ascanio Sforza | |
| Cipriano de Rore as Court Composer: Ferrara and Munich | |
| Cipriano de Rore's Venus Motet: Its Poetic and Pictorial Sources 24.Calami sonum ferentes: A New Interpretation | |
| Two Motets and Two Madrigals for the Este Family | |
| Rore's New Year's Gift for Albrecht V of Bavaria | |
| Musica Ficta | |
| The Function of Conflicting Signatures in Early Polyphonic Music | |
| Conflicting Views on Conflicting Signatures | |
| Adrian Willaert's Chromatic "Duo" Reexamined | |
| Echoes of Adrian Willaert's Chromatic "Duo" in Sixteenth- and Seventeenth- Century Compositions | |
| The Musical Avant-Garde of the Renaissance; or, The Peril and Profit of Foresight | |
| Secret Chromatic Art Reexamined 33.Musica fictain the Josquin Edition | |
| The Compositional Process | |
| On the Use of Scores by Sixteenth-Century Musicians | |
| Early Scores in Manuscripts | |
| English Organ Music of the Renaissance | |
| A Treatise on Text Underlay by a German Disciple of Francisco de Salinas | |
| Canon Technique and Simultaneous Conception in Fifteenth-Century Music: A Comparison of North and South | |
| On Mozart's Rhythm | |
| Views and Reviews | |
| Secret Chromatic Art in the Netherlands Motet: A Reply | |
| Renaissance Writings on Music Theory | |
| On the Presentation and Interpretation of Evidence: Another Review of Costanzo Festa's Biography | |
| rCharacter and Purposes of American Musicology: A Reply to Joseph Kerman Bibliography of the Writings of Edward E. Lowinsky | |
| Index of Manuscripts | |
| Cited General | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |