List of Illustrations | |
Foreword | |
Foreword | |
Introduction | |
Music and the History of Ideas | |
Music History and Its Relation to the History of Ideas | |
The Concept of Physical and Musical Space in the Renaissance (A Preliminary Sketch) | |
Music in the Culture of the Renaissance | |
Musical Genius: Evolution and Origins of a Concept | |
Taste, Style, and Ideology in Eighteenth-Century Music | |
Music of the Renaissance as Viewed by Renaissance Musicians | |
The Problem of Mannerism in Music: An Attempt at a Definition | |
Humanism in the Music of the Renaissance | |
Musical Iconography | |
The Goddess Fortuna in Music, with a Special Study of Josquin'sFortuna d'un gran tempo | |
Matthaeus Greiter'sFortuna: An Experiment in Chromaticism and in Musical Iconography | |
The Music in Carpaccio's "St. Jerome's Study" | |
Problems in Adrian Willaert's Iconography | |
Ockeghem's Canon for Thirty-Six Voices: An Essay in Musical Iconography | |
Music in Titian'sBacchanal of the Andrians: Origin and History of theCanon per tonos | |
Jan van Eyck'sTymotheos: Sculptor or Musician? With an Investigation of the Autobiographic Strain in French Poetry from Rutebeuf to Villon | |
The Sixteenth-Century Motet | |
Orlando di Lasso's Antwerp Motet Book and Its Relationship to the Contemporary Netherlandish Motet | |
A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome | |
A Music Book for Anne Boleyn | |
Josquin des Prez | |
Helmuth Osthoff's Josquin Monograph | |
Josquin des Prez and Ascanio Sforza | |
Ascanio Sforza's Life: A Key to Josquin's Biography and an Aid to the Chronology of His Works | |
Ludovico il Moro's Visit to the Abbey of Chiaravalle in 1497: A Report to Ascanio Sforza | |
Cipriano de Rore as Court Composer: Ferrara and Munich | |
Cipriano de Rore's Venus Motet: Its Poetic and Pictorial Sources 24.Calami sonum ferentes: A New Interpretation | |
Two Motets and Two Madrigals for the Este Family | |
Rore's New Year's Gift for Albrecht V of Bavaria | |
Musica Ficta | |
The Function of Conflicting Signatures in Early Polyphonic Music | |
Conflicting Views on Conflicting Signatures | |
Adrian Willaert's Chromatic "Duo" Reexamined | |
Echoes of Adrian Willaert's Chromatic "Duo" in Sixteenth- and Seventeenth- Century Compositions | |
The Musical Avant-Garde of the Renaissance; or, The Peril and Profit of Foresight | |
Secret Chromatic Art Reexamined 33.Musica fictain the Josquin Edition | |
The Compositional Process | |
On the Use of Scores by Sixteenth-Century Musicians | |
Early Scores in Manuscripts | |
English Organ Music of the Renaissance | |
A Treatise on Text Underlay by a German Disciple of Francisco de Salinas | |
Canon Technique and Simultaneous Conception in Fifteenth-Century Music: A Comparison of North and South | |
On Mozart's Rhythm | |
Views and Reviews | |
Secret Chromatic Art in the Netherlands Motet: A Reply | |
Renaissance Writings on Music Theory | |
On the Presentation and Interpretation of Evidence: Another Review of Costanzo Festa's Biography | |
rCharacter and Purposes of American Musicology: A Reply to Joseph Kerman Bibliography of the Writings of Edward E. Lowinsky | |
Index of Manuscripts | |
Cited General | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |