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Music Genres and Corporate Cultures - Keith Negus

Music Genres and Corporate Cultures

Hardcover

Published: 24th June 1999
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Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations.

..."fascinating and thorough...." -Choice

Acknowledgementsp. vii
Introductionp. 1
Culture, industry, genre: conditions of musical creativityp. 14
Corporate strategy: applying order and enforcing accountabilityp. 31
Record company cultures and the jargon of corporate identityp. 63
The business of rap: between the street and the executive suitep. 83
The corporation, country culture and the communities of musical productionp. 103
The Latin music industry, the production of salsa and the cultural matrixp. 131
Territorial marketing: international repertoire and world musicp. 152
Walls and bridges: corporate strategy and creativity within and across genresp. 173
Notesp. 184
Bibliographyp. 196
Indexp. 206
Table of Contents provided by Syndetics. All Rights Reserved.

ISBN: 9780415173995
ISBN-10: 041517399X
Audience: Tertiary; University or College
Format: Hardcover
Language: English
Number Of Pages: 224
Published: 24th June 1999
Country of Publication: GB
Dimensions (cm): 24.13 x 16.51  x 1.91
Weight (kg): 0.43
Edition Number: 1