| Abbreviations for Frequently Cited Sources | p. xvii |
| A Great Intellect in Repose | p. 3 |
| Humor and Being | p. 6 |
| Melville's Aesthetics of Repose | p. 8 |
| Melville's Rhetoric: Voicing the Voiceless | p. 19 |
| Melville and the Reader: "Lord when shall we be done changing?," | p. 27 |
| America's Comic Debate | |
| America's Repose | p. 33 |
| Britain's Amiable Tradition | p. 34 |
| Amiability on Native Ground | p. 41 |
| The Example of Irving | p. 52 |
| Irving's Comic Debate | p. 53 |
| Salmagundi and Some Versions of the Bachelor | p. 55 |
| A Rip in the Canvas: Irving's Picturesque | p. 63 |
| Irving's Goldsmith and the Rhetoric of Geniality | p. 66 |
| Playing Along: America and the Rhetoric of Deceit | p. 70 |
| The Deep Thought of Laughter | p. 70 |
| A Veracious History of Lying | p. 72 |
| The Lie of our Land: Forms of Comic Lying | p. 82 |
| E. A. Poe and T. B. Thorpe: Two Models of Deceit | p. 88 |
| Poe's Humor | p. 88 |
| Thorpe's Big Bear | p. 100 |
| The Genial Misanthrope: Melville and The Cosmopolitan Ideal | p. 109 |
| Melville's Cosmopolite | p. 110 |
| Europe's Cosmopolite: "At Home in Every Place," | p. 112 |
| America's Con Man Cosmopolite: "Nowhere a Stranger," | p. 116 |
| Herman Melville: "Diogenes Masquerading as a Cosmopolitan," | p. 127 |
| Rhetoric And Repose | |
| Typee | |
| The Anxieties of Humor | p. 131 |
| Reliability and the Amiable Rebel | p. 134 |
| Tommo's Picturesque | p. 139 |
| Tommo's Amiable Eden | p. 140 |
| Typee in Manuscript | p. 146 |
| Drama and Restraint | p. 146 |
| Finding Voice: Transcription, Transformation, and Translation | p. 152 |
| Forging Ideology: Melville and "Little Henry," | p. 157 |
| Tommo's Rhetoric of Deceit | p. 161 |
| Tattoo, Taboo, and Cannibalism: Forms of Conversion | p. 162 |
| Tommo Prometheus | p. 165 |
| Baffled Scientist and Con Man Revivalist | p. 174 |
| Rover and Cosmopolite | p. 178 |
| Moby Dick | |
| Ishmael: Sounding the Repose of If | p. 186 |
| Ishmael's Initiation: Narcissist and Cosmopolite | p. 187 |
| Knowledge and Voice | p. 192 |
| Finding Voice: Ishmael's Genial Desperation | p. 199 |
| Pondering Repose | p. 204 |
| Ahab: Personifying the Impersonal | p. 209 |
| "What Cozening, Hidden Lord and Master," | p. 212 |
| Displaced Fools | p. 219 |
| On the Margin of the Maelstrom | p. 228 |
| Melvill's Comedy of Doubt | p. 230 |
| Melville's Reader: Partner, Victim, Participant | p. 231 |
| Allegory and Breakdown | p. 234 |
| The Confidence-Man | |
| Comic Debates: The Uses of Cosmopolite | p. 244 |
| Pitch: The False Misanthropist | p. 245 |
| Charlie Noble: The False Genialist | p. 250 |
| Charlemont: The Genial Misanthrope | p. 261 |
| Coda: Something Further | p. 265 |
| Notes | p. 269 |
| Index | p. 299 |
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