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Love in Idleness - Charlotte Mendelson

Love in Idleness

By: Charlotte Mendelson

Paperback | 15 August 2013 | Edition Number 1

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'I loved it. The evocation of ennui and loneliness rings very true . . . great unexpected observations . . . very funny'

Lesley Glaister

Anna Raine is desperate: to escape Somerset, to evade her mother, and above all to find a model of adulthood on whom to base her future self. When Stella, her mother''s reckless younger sister, offers her London flat, Anna's buried curiosity about Stella quickly becomes fascination: dark secrets, she is certain, lie within her reach.

While by day Anna feigns efficient adulthood, by night she sinks into an increasingly heated world of discovery. As secrets rise to the surface she tries to focus on London - on anything other than her aunt. But the truth has its own momentum, and when Stella returns from Paris, something, or everything, is going to give . . .

'With her gift for light humour, Mendelson seems to be skipping across the surface. Then she'll suddenly dive into a world of obsession' Independent on Sunday

'A strange, stealthy, headily scented seethe of a book' Ali Smith, Glasgow Herald

Industry Reviews
When Anna graduates from Edinburgh University, she has no plan for her future except a determination to distance herself from her managing mother, Magda, in stultifying Somerset, by living in London. She jumps at the offer of accommodation in her Aunt Stella's flat, rejecting her mother's attempts to involve her in her network of contacts. She prefers to speculate about her enigmatic aunt's more attractive life, fuelled by telephone messages from Stella's male friends. Alone in the flat while Stella works abroad, Anna looks for a job in a bookshop and tries to find her own adult self in a hostile and indifferent world. It may be unfair to criticize a first novel too much. Mendelson has undoubted writing talent, but it is as if Anita Brookner were trying to write a younger version of Bridget Jones; a lot of navel-gazing interspersed with annoying introspective listmaking, while what plot there is crawls towards a less than startling denouement. I found it hard to believe that someone of 22, with three years of university behind her, could be quite so gauche and unaware. There are tantalizing glimpses of a better novel waiting to be developed. What sort of family has produced Anna's younger drug-taking sister, and why has Anna cut her arms? What exactly has been the relationship between Magda and Stella? There is some fertile ground here, scattered with promising seeds, but they fail to germinate satisfactorily. (Kirkus UK)

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