Innovation in Music

Part 1: Augmenting Creativity 1. A Self-Portrait: Towards a Practice of Plunderphonics in an Age of Musical Superabundance 2. Playing Field Recordings in Music Production 3. Redividing the Octave for Expanded Tonal Spaces: Preliminary Practical Explorations of Formalised Approaches to Microtonal Composition 4. Messing About as Creative Process: Anti-Solutionist Approaches in the Maker's Workshop, Home Studio and on Stage 5. Single Tonality Chord Songwriting 6. âWe Only Have to Drawâ: Unearthing Parallels Between Xenakis and Oram in the Design of KlangPad, a Learner-Focused Graphic-Composition Tool 7. Composing an Immaterial Body: Deconstructing and Reconnecting Vocal Expressions in SOPHIEâs âImmaterialâ 8. From Discovery to Trend: Wrong or Unintended Use of Technology as a Basis for Musical Development 9. Augmented Creativity: Does AI Help or Hinder Musicians' Creative Processes? 10. The Sound(s) of Colour: Developing a Theory of Cross-Modal Interpretation 11. Time After Time: Temporal Multiplicity as Layers of Narrative Time in Transmedia Concept Albums Part 2: Technology in Performance and Production 12. Haptics in Audio- and Music-Production Processes 13. Transvariations: Radical Interpretations of a Classical Piece by Means of Live Audio Processing 14. Love Your Latency: The Glitching Spatiotemporality of Telematic Music Performances 15. Thoughts on Building a Contemplative Modular System 16. Playing the Fader 17. SuperDuper Loopers and the 'Free for Feedback' Release Model 18. Dual-Function Instruments: Musical Instruments as Live Samplers 19. Creative Recording Experiments for Dolby Atmos 20. Rediscovering Analogue Practice in Synthesizer Ensembles 21. Rethinking Resonance: The Feedback Tuba 22. Don't Do This at Home: Re-Amping the Norwegian Broadcasting Orchestra (KORK) for Nils Petter Molv¦r's Certainty of Tides