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The study treats the Hindi film as a social institution which is a reflection of current social and political formations and analyzes the role, function and ideology of Indian cinema.
substantial and fascinating study...fully deserves a readership beyond Indian film specialists * Sight & Sound *
|Introduction: The Ideology of Formal Subsumption||p. 1|
|The Economics of Ideology: Popular Film Form and Mode of Production||p. 29|
|The Absolutist Gaze: Political Structure and Cultural Form||p. 52|
|Guardians of the View: The Prohibition of the Private||p. 88|
|The Moment of Disaggregation||p. 117|
|The Aesthetic of Mobilization||p. 138|
|Middle-Class Cinema||p. 160|
|The Developmental Aesthetic||p. 188|
|Towards Real Subsumption?: Signs of Ideological Reform in Two Recent Films||p. 217|
|Table of Contents provided by Blackwell. All Rights Reserved.|
Number Of Pages: 270
Published: 25th January 2001
Country of Publication: IN
Dimensions (cm): 21.8 x 14.0 x 1.4
Weight (kg): 0.3