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Paperback Published: 1st December 2009
ISBN: 9781556528163
Number Of Pages: 340

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Examining the dynamics of hip-hop from every region and in every form -- mainstream and underground, current and classic -- this compelling how-to discusses everything from content and flow to rhythm and delivery in relation to the art and craft of rap. Compiled from the most extensive research on rapping to date, this first-of-its-kind guide delivers countless candid and exclusive insights from more than 100 of the most critically acclaimed artists in hip-hop -- including Clipse, Cypress Hill, Nelly, Public Enemy, Remy Ma, Schoolly D, A Tribe Called Quest, and will.i.am -- unravelling the stories behind their art and preserving a wealth of the genre's history through the words of the legends themselves. Exhaustively detailing the many complex aspects of rapping -- such as utilising literary tools and devices to strengthen content, battling, imagery, similes, metaphors, analogies, slang, performing both live and in the studio, word play, controversial content and punchlines, and constructing beats, singles, and free-styling -- with emphasis on enunciating and breathing for unique vocal style, this remarkable book will benefit beginners and pros alike with its limitless wealth of rapping lore and insight.

Industry Reviews

"How useful, amid the rain-forest-worrying deluge of books written on hip-hop theory and culture, that Paul Edwards has taken a straightforward, reasoned and informed approach to discussing the actual mechanics of rapping. How To Rap looks at that art form by unknotting its components--content, style, delivery and, most intriguingly, its spatial alliance with music and beats--and uses practical examples for context and analysis. Aspiring MCs will benefit most, but there are insights and observations that will appeal to anyone with an interest in hip-hop's development." --Alex Ogg, author, The Hip Hop Years, The Men Behind Def Jam, Rap Lyrics "A clever breakdown of the art form of hip-hop rhymes, for anyone who is into the art of incredible raps. It's about time someone actually recognized this powerful music for its artistic ingenuity." --Speech, Arrested Development "A complete guide to the art and craft of the MC, anyone who's serious about becoming a rapper should read this first. Proof positive that rap is more than just talking over music - a vital and vibrant expose of a much misunderstood art form." -- Hip-Hop Connection "If only this book had existed back in the day, I might not have become a university professor. For now, though, I'll have to settle for hanging out with my academic pals Eazy A, Chuck Ph.D., and Dr. GRE--and curling up with a copy of How To Rap. Watch out world, this crazy ass-prof [associate professor] is coming straight outta college." --Kembrew McLeod, professor, critic ( Rolling Stone, The Village Voice, Spin, Mojo), author ( Freedom of Expression(R)) , documentary filmmaker "Want to be a true emcee? Then pick up this book before picking up a microphone. Never before has the artform been broken down so well." --dubcnn.com (no. 1 news and interview site for West Coast hip-hop, including regular interviews with major rappers such as Snoop Dogg and Ice Cube) "Paul Edwards's new book How to Rap brings a fresh approach to hip-hop lyricism that's remarkable for its depth of practical detail. What's in a namecheck? What are the pros and cons of certain metrical or rhetorical forms? What are the most common structures in hip-hop's history? With numerous examples and analyses of the hip-hop greats of the past, Edwards offers both an immensely practical introduction for would-be rappers, as well as the first detailed poetics of 'the pulse of the rhyme flow' in hip-hop. This is a foundational text." --Russell Pott " How to Rap is an excellent, revealing read on the insights to the technical workings of rap music. I had no idea what I did was so scientific and complicated or the literary value of it. As a scholar and an educator, I highly recommend this book to any rap fans or people interested in the technical aspects of music and poetry." --Mighty Casey, popular underground rapper " A must-have guide for anyone who ever wanted to understand the blood, sweat, and tears that can go into the art of MCing. The book lets those in the dark understand the craft of MCing as close as possible." --DJ Rasta Root, Smokin' Needles Records (DJs and produces for the likes of A Tribe Called Quest's Phife Dawg, with whom he runs Smokin' Needles Records)

Forewordp. vii
Introductionp. ix
Content Topicsp. 3
Real-Life Contentp. 5
Fictional Contentp. 9
Controversial Contentp. 10
Conscious Contentp. 14
Club/Party Contentp. 19
Content Formsp. 23
Braggadocio/Battling Formp. 25
Conceptual Formp. 30
Story Formp. 34
Abstract Formp. 37
Humorous Formp. 38
Content Toolsp. 41
Imageryp. 42
Similes, Metaphors, and Analogiesp. 44
Slangp. 47
Vocabularyp. 50
Wordplayp. 56
Punch Linesp. 58
How Flow Worksp. 63
The Flow Diagramp. 67
Beats and Barsp. 68
Syllables and Stressed Syllablesp. 70
Fitting the Lyrics to the Beatp. 71
Restsp. 73
Overlapping Barsp. 75
How Is the Flow Diagram Useful?p. 76
More Examplesp. 78
Rhymep. 81
Perfect Rhymep. 82
Assonance (Vowel Sound Rhyme)p. 84
Alliteration and Consonancep. 86
Compound Rhymes (Multisyllable Rhymes)p. 87
Coming Up with Rhymesp. 92
Rhyme Schemesp. 95
Types of Rhyme Schemep. 99
Extra Rhymesp. 103
Number of Rhymes in a Barp. 104
Rhyme Placementp. 107
Rhythmp. 111
Coming Up with Rhythmsp. 113
The Pattern Diagramp. 116
Patterns of Rhythmsp. 118
Restsp. 127
The Writing Processp. 133
Researchp. 134
Ways of Writing Lyricsp. 139
Places to Writep. 152
Times to Writep. 156
How Long Does It Take?p. 157
Writing in One Go or in Piecesp. 162
Keeping or Changing the Processp. 165
Beats and Freestylingp. 167
Writing With or Without the Beatp. 167
Picking Beatsp. 174
Rapping and Producingp. 177
Freestylingp. 181
Structuring, Editing, and Selecting Lyricsp. 185
Song Structurep. 185
Editing Lyricsp. 197
Selecting Which Lyrics to Usep. 201
Selecting Singlesp. 204
Writing with Other Peoplep. 211
Writing in a Groupp. 213
Guest Verses and Other Short-Term Collaborationsp. 220
Ghostwritingp. 227
Producer Writing Inputp. 231
Vocal Techniquesp. 239
Breath Controlp. 239
Enunciationp. 244
Vocal Stylep. 246
Taking Care ofYour Voicep. 260
In the Studiop. 263
Reading or Memorizing the Lyricsp. 264
Practicing the Vocalsp. 269
Deciding Where to Breathep. 271
Guide Vocalsp. 273
Recording over Several Takes or in One Takep. 274
Number of Takesp. 280
Doubling Up and Ad-Libsp. 282
Further Editing the Lyricsp. 283
Producer Vocal Directionp. 285
Performing Livep. 289
Confidence and Showmanshipp. 293
Using the Mic and PA Systemp. 294
Rocking the Crowdp. 295
Being Spontaneous, Improvising, and Freestylingp. 300
Adding Something Extrap. 302
Working with a Hype Man, DL or Groupp. 303
Learning from Other Artists' Performancesp. 305
Rehearsingp. 305
Final Wordsp. 311
Interviewed Artistsp. 315
Indexp. 335
Table of Contents provided by Ingram. All Rights Reserved.

ISBN: 9781556528163
ISBN-10: 1556528167
Audience: General
Format: Paperback
Language: English
Number Of Pages: 340
Published: 1st December 2009
Country of Publication: US
Dimensions (cm): 21.51 x 14.17  x 1.96
Weight (kg): 0.4

Earn 38 Qantas Points
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