Schroeder here sets out to challenge the widely held view of Haydn as an inspired instrumental musician who composed in isolation from 18th-century enlightened thinking. By means of both documentary and musical investigation the author seeks instead to present him as a culturally and politically sensitive representative of the Age of Englightement. Haydn's awareness of contemporary aesthetic opinion and the tenets of the Enlightenment is
reflected by the transformations in his own compositional style, and there are fascinating implications here for our understanding of instrumental music from the second half of the eighteenth century. Of fundamental importance in this survey is Haydn's relationship with his audience, which, it is argued,
had a significant bearing on the nature of the works. The author suggests that Haydn was well acquainted with the contemporary view that works of literature or music should serve a moral function and he points to numerous instances in the late symphonies where this end is effectively pursued. For the eighteenth century, however, morality did not imply dullness; indeed, its goals were best served through wit, humour, popular appeal, and beauty, as well as through intellectual challenge.
Part I Haydn and Enlightened Though
1: Haydn and Shaftesbury: Music and Morality
2: Pre-English Literary Influences
3: The Lodge `Zur wahren Eintracht'
4: Opera, Rhetoric, and Rittergedichte
5: String Quartets, Op. 33: `A New and Special Way'
6: Theory versus Practice: Aesthetics and Instrumental Music
7: Symphonies Ascent: Pre-Paris to the Loge Olympique
Part II Audience Receptionand England
8: The Composer-Audience Relationship
9: Haydn and the English Audience
Part III The Symphonies
10: Symphonic Intelligibility and Sonata Form
11: Melodic Sources and Musical Images
12: Symphonies and the Salomon Concerts
Series: Clarendon Paperbacks
Number Of Pages: 432
Published: 1st October 1997
Country of Publication: GB
Dimensions (cm): 22.91 x 16.2
Weight (kg): 0.35