The godfather of Italian design
Italian architect and designer Gio Ponti (1891–1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his oeuvre remains one of the most diverse and groundbreaking in design history. Trained initially in architecture, Ponti soon moved into industrial and interior design, experimenting with ceramics, silverware, and glass. Ponti’s key works are spread throughout this extensive overview, including structures of all kinds, from small residential dwellings to high-rise buildings, schools, and office blocks.
The home was one of Ponti’s recurring interests and central areas of innovation. His talent for total design--a careful consideration of both interior and exterior space—is charted in the glossy reproductions, floor plans, and drawings featured in this edition. Ponti’s colorful, carefree, and elegant spaces blended an expressive neoclassicism with emerging modernist sensibility.
The founder and nearly lifelong editor of domus magazine never ceased to develop and reinvent his style. From the Denver Art Museum to his collection of churches, from bespoke homeware to the symbol of modern Milan, the Pirelli Tower, this monograph provides an introduction to Ponti’s exuberant creativity and illustrious career.
“Pure architecture is a crystal. When it is pure, it is clear like a crystal--magic, closed, exclusive, autonomous, unsullied, absolute, conclusive like a crystal. Architecture refuses unfinished shapes… Architecture begins and ends. Architecture stands.”
— Gio Ponti
About the Author
Graziella Roccella lives in Turin where she works as freelance architect and assistant professor in architectural design. She has published various essays and given lectures on contemporary architecture and theories of architectural research. As an architect she works in the field of interior design and residential buildings with a special regard to sustainable architecture.