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From Caligari to Hitler : A Psychological History of the German Film - Siegfried Kracauer

From Caligari to Hitler

A Psychological History of the German Film

Paperback

Published: 22nd March 2004
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A landmark, now classic, study of the rich cinematic history of the Weimar Republic, "From Caligari to Hitler" was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer's pioneering book, which examines German history from 1921 to 1933 in light of such movies as "The Cabinet of Dr. Caligari, M, Metropolis," and "The Blue Angel," has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast.In "From Caligari to Hitler," Siegfried Kracauer--the German-born writer and film critic who shared many ideas and interests with his friend Walter Benjamin--made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s such as "The Cabinet of Dr. Caligari, M, Metropolis," and "The Blue Angel," he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film.

In "From Caligari to Hitler," Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film.

Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin's suicide, he made his way to New York, where he remained until his death in 1966. He wrote "From Caligari to Hitler" while working as a "special assistant" to the curator of the Museum of Modern Art's film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, "From Caligari to Hitler" remains Kracauer's best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his "Theory of Film: The Redemption of Physical Reality in 1997."

"The thesis of this unusually interesting book is that the German films of the twenties were filled with premonitions of the German totalitarianism of the thirties."--Nation "One of the great works of film history, this look at early German cinema, first published in 1947, is still a must-have for cineastes and scholars alike."--H.J. Kirchhoff, Toronto Globe and Mail "The book is an invaluable guide to a golden period of cinema."--Christopher Wood, The Times

List of Illustrationsp. vii
Editor's Notep. xiii
Introduction to the 2004 Editionp. xv
Prefacep. li
Introductionp. 3
The Archaic Period (1895-1918)
Peace and Warp. 15
Forebodingsp. 28
Genesis of Ufap. 35
The Postwar Period (1918-1924)
The Shock of Freedomp. 43
Caligarip. 61
Procession of Tyrantsp. 77
Destinyp. 88
Mute Chaosp. 96
Crucial Dilemmap. 107
From Rebellion to Submissionp. 115
The Stabilized Period (1924-1929)
Declinep. 131
Frozen Groundp. 138
The Prostitute and the Adolescentp. 153
The New Realismp. 165
Montagep. 181
Brief Reveillep. 190
The Pre-Hitler Period (1930-1933)
Songs and Illusionsp. 203
Murderer Among Usp. 215
Timid Heresiesp. 223
For a Better Worldp. 232
National Epicp. 251
Supplement: Propaganda and The Nazi War Film
Nazi Views and Measuresp. 275
Film Devicesp. 277
The Swastika Worldp. 280
Screen Dramaturgyp. 288
Conflict with Realityp. 297
Note on the Inaccuraciesp. 309
Bibliographyp. 315
Updated Bibliographyp. 327
Name Indexp. 333
Film Indexp. 339
Table of Contents provided by Publisher. All Rights Reserved.

ISBN: 9780691115191
ISBN-10: 0691115192
Series: Princeton Classic Editions
Audience: Tertiary; University or College
Format: Paperback
Language: English
Number Of Pages: 432
Published: 22nd March 2004
Publisher: Princeton University Press
Country of Publication: US
Dimensions (cm): 23.4 x 15.6  x 2.6
Weight (kg): 0.63
Edition Number: 2