Exposing the Film Apparatus

Acknowledgements Introduction - Giovanna Fossati and Annie van den Oever PROLOGUE 1. The Moving Image Archive as Research Laboratory Ten Years On - Giovanna Fossati and Christian Olesen 2.On Teaching Media in the Apparatus Archive, Hands-On - Annie van den Oever PART I SMALL AND PORTABLE 3. Camera Obscura - Tom Gunning 4. The âBande-Cache,â or: The Material Art of Light Filters - Miriam De Rosa, Andrea Mariani and Warshadfilm 5. Teaching from the Archive in Black-and-White 35mm: Analogue Nostalgia in Post-Apartheid South Africa - Landi Raubenheimer and Bongani J. Khoza 6. Socio-Technological Margins as Research Topic for Media Archaeology - Liri Chapelan 7. How to Re-Activate the Endangered Archive of a Historical Science Film Festival: A Speculative Approach - Silvia Casini 8. The Kinora as an Intermedial Dispositif of Early Twentieth-Century Home Cinema - Tim van der Heijden 9. The Homemade Film Projector - Guy Edmonds 10. Amateur Archaeologies and Hybrid Thinkering with the Kodak Reels Film Digitizer - Sanna McGregor 11. Double Vision: William Kentridge and the Stereoscope - Josef van Wyk PART II MEDIUM AND NOT EASILY PORTABLE 12. The Mazo Cin©matographe Mixte: A Hybrid Media Apparatus - Frank Kessler and Sabine Lenk 13. Bending Efforts and Beams: The Use of the CRT Projector in Video Art Installations - Evelyne Snijders and Ellen Jansen 14. A Projectionist and his Percepto: Personal Archives and Embodied Film Education - Keith Bennie 15. The LAPA Scanner and the Possibilities for Sovereign Film Preservation - Carolina Cappa and Isabel Wschebor 16. Nostalgia: Emulation as a Service - Se¡n Cubitt 17. Caring for Obsolete Technology âin the Wildâ: Former Users as Caregivers in the Maintenance and Repair of the U-Matic Video System - Sergio Minniti 18. The Anabasis of Super 8 - G¼lce -zkara PART III LARGE 19. Film Inspection Tables as Historical, Operational and Learning Devices - Simone Venturini 20. Jan Bot: Exposing the Bits & Pieces Collection Using AI and Algorithmic Montage - Pablo Nº±ez Palma 21. Moving on a Budget: The Mahlase-Roodt Eco Dolly - Tumisho Mahlase and Waldo Roodt 22. Rear Projection in Brazilian Silent Movie Theatres: Sobrados, Wet Screens and Alternative Media History - Rafael de Luna Freire 23. Empowerment or Digital Colonialism? Indigenous Virtual Reality in Colombiaâs Sierra Nevada de Santa Marta - Andrew Simon Tucker 24. Sensing Film Archival Data: The Film Catcher - Christian Gosvig Olesen 25. Ancestral Images, Cultural Protocols and the Politics of Digital Storage: Restricted Storage at the National Film and Sound Archive of Australia - Nikolaus Perneczky