The only work of its kind, this exciting collection assembles a number of analytically minded philosophers, psychologists, and literary theorists, all of whom seek to provide fine-grained accounts of critical problems having to do with emotion and art.
How best to explain emotions produced by works of art? What goes on when we feel emotion for an abstract art such as music? How is it that we can intelligibly feel emotion for persons and situations that we know are fictional? What is involved in our empathic experience of negative emotion through the art of tragedy?
A strongly interdisciplinary volume that captures the richness of current debates about the role of agency in human emotional response, this collection also considers the influence of culture on emotion and demonstrates that cognitivist and social- constructivist perspectives need not be antagonistic and may actually work together in a complementary way. Essays cluster under four rubrics--"The Paradox of Fiction," "Emotion and its Expression through Art," "The Rationality of Emotional Responses to Art," and "The Value of Emotion"--and together they address questions of emotion in film, painting, music, dance, literature, and theater.
With new work by leading thinkers in the field of aesthetics, and drawing upon state of the art scholarship from areas such as cognitive science, literary studies, and contemporary ethics, Emotion and the Arts is essential reading for those who study aesthetics, literature, theories of emotion, and the mind.
"Mette Hjort and Sue Laver have put together a useful collection of essays on the relationship between art and emotion....this is an important assemblage of essays. The combination of disciplines that contribute to the varying perspectives makes it a truly interdisciplinary and controversial collection. I would highly recommend this book to anyone wishing to have an understanding of the connection between art and emotion. It is high time that such a comprehensive collection was put forth on this essential topic in aesthetics."--The Journal of Aesthetics and Art Criticism
|Emotion in Response to Art A Survey of the Terrain||p. 20|
|The Paradox of Fiction||p. 35|
|Spelunking, Simulation, and Slime:On Being Moved by Fiction||p. 37|
|Imagining Emotions and Appreciating Fiction||p. 50|
|The Paradox of Caring:Fiction and the Philosophy of Mind||p. 63|
|The Paradox of Fiction the Report Versus the Perceptual Model||p. 78|
|Emotion and Its Expression Through Art||p. 93|
|Contra the Hypothetical Persona in Music||p. 95|
|Emotion in Music||p. 110|
|Emotion and Emotions in Theatre Dance||p. 119|
|The Rationality of Emotional Responses to Art||p. 137|
|On Looking into Titian's Assumption||p. 139|
|Evaluating Emotional Responses to Fiction||p. 157|
|Fetishism and Objectivity in Aesthetic Emotion||p. 177|
|Art, Narrative, and Emotion||p. 190|
|The Value of Emotion||p. 213|
|Toward A Poetics of Emotion||p. 215|
|In Defense of Sentimentality||p. 225|
|The Anaesthetics of Emotion||p. 246|
|Emotions and Identification:Connections Between Readers and Fiction||p. 263|
|Table of Contents provided by Publisher. All Rights Reserved.|
Number Of Pages: 320
Published: 1st June 1997
Publisher: Oxford University Press Inc
Country of Publication: US
Dimensions (cm): 23.34 x 15.67 x 2.44
Weight (kg): 0.46