We all talk about the "tube" or "box," as if television were simply another appliance like the refrigerator or toaster oven. But Cecilia Tichi argues that TV is actually an environment--a pervasive screen-world that saturates almost every aspect of modern life. In Electronic Hearth, she looks at how that environment evolved, and how it, in turn, has shaped the American experience.
Tichi explores almost fifty years of writing about television--in novels, cartoons, journalism, advertising, and critical books and articles--to define the role of television in the American consciousness. She examines early TV advertising to show how the industry tried to position the new device as not just a gadget but a prestigious new piece of furniture, a highly prized addition to the home. The television set, she writes, has emerged as a new electronic hearth--the center of family activity. John Updike described this "primitive appeal of the hearth" in Roger's Version: "Television is--its irresistible charm--a fire. Entering an empty room, we turn it on, and a talking face flares into being." Sitting in front of the TV, Americans exist in a safety zone, free from the hostility and violence of the outside world. She also discusses long-standing suspicions of TV viewing: its often solitary, almost autoerotic character, its supposed numbing of the minds and imagination of children, and assertions that watching television drugs the minds of Americans. Television has been seen as treacherous territory for public figures, from generals to presidents, where satire and broadcast journalism often deflate their authority. And the print culture of journalism and book publishing has waged a decades-long war of survival against it--only to see new TV generations embrace both the box and the book as a part of their cultural world. In today's culture, she writes, we have become "teleconscious"--seeing, for example, real life being certified through television ("as seen on TV"), and television constantly ratified through its universal presence in art, movies, music, comic strips, fabric prints, and even references to TV on TV.
Ranging far beyond the bounds of the broadcast industry, Tichi provides a history of contemporary American culture, a culture defined by the television environment. Intensively researched and insightfully written, The Electronic Hearth offers a new understanding of a critical, but much-maligned, aspect of modern life.
"A good, readable text. Should be attractive to students....Excellent reference list."--William H. Young, Lynchburg College "Perceptive, subtly nuanced study of how Americans' perceptions of TV have developed over the past five decades....Tichi takes a close look at the often maligned, frequently misinterpreted medium....Her thinking is original, her arguments convincing. Fresh and fascinating."--Kirkus Reviews "This sophisticated, McLuhanesque study bristles with fresh insight."--Publisher's Weekly "Truly an ambitious study. Tichi refreshingly pokes fun at the intellectual snobbery that blanket-condems the medium."--Library Journal "Very good for courses on the history of broadcasting and cutlural studies."--J.D. Peters, University of Iowa
|Television Environment--A Preface||p. 3|
|Introduction--Phasing In||p. 11|
|Electronic Hearth||p. 42|
|Peep Show, Private Sector||p. 62|
|Leisure, Labor, and the La-Z-Boy||p. 84|
|Drugs, Backtalk, and Teleconsciousness||p. 104|
|Certification--As Seen on TV||p. 129|
|Videoportraits and Authority||p. 155|
|Two Cultures and the Battle by the Books||p. 174|
|The Child--A Television Allegory||p. 191|
|Comics, Movies, Music, Stories, Art, TV-on-TV, Etc.||p. 208|
|Table of Contents provided by Syndetics. All Rights Reserved.|
Number Of Pages: 272
Published: 29th October 1992
Publisher: Oxford University Press Inc
Country of Publication: US
Dimensions (cm): 23.32 x 15.65 x 1.6
Weight (kg): 0.38