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Electric Folk : The Changing Face of English Traditional Music - Britta Sweers

Electric Folk

The Changing Face of English Traditional Music

Paperback

Published: 1st November 2004
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In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today.
In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries.
Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.

"Sweers has compiled a fascinating examination of electric folk- or folk rock- in the UK since the 1960s." --CHOICE "Sweers has compiled a fascinating examination of electric folk- or folk rock- in the UK since the 1960s." --CHOICE

Approaching electric folk : a history of music revivals, fusions, and ideologiesp. 21
A question of definition : traditional and popular musicp. 44
The performers and groups : individual biographiesp. 69
The electric folk scene : a sociocultural portrayalp. 111
The music : a general overviewp. 143
Individual musical approachesp. 168
Musical ghosts that become means to a new identityp. 209
Modern revival and fusion processesp. 240
Postlude 2003p. 266
Table of Contents provided by Blackwell. All Rights Reserved.

ISBN: 9780195174786
ISBN-10: 019517478X
Audience: Professional
Format: Paperback
Language: English
Number Of Pages: 342
Published: 1st November 2004
Publisher: Oxford University Press Inc
Country of Publication: US
Dimensions (cm): 15.4 x 22.7  x 2.1
Weight (kg): 0.5