Winner Of The 2014 Indie Awards Debut Fiction Of The Year
Winner Of The Victorian Premier's Literary Award People's Choice Award 2014
Winner Of The Faw Christina Stead Award 2014
Winner Of The Aba Nielson Bookdata Booksellers' Choice Award 2014
Shortlisted For The Stella Prize 2014
Shortlisted For The Baileys Women's Prize For Fiction 2014
Shortlisted For The Victorian Premier's Literary Award For Fiction 2014
Shortlisted For The Abia Literary Fiction Book Of The Year 2014
Shortlisted For The Als Gold Medal 2014
Shortlisted For The Guardian First Book Award 2013
Shortlisted For The Nib Waverley Award For Literature 2013
In northern Iceland, 1829, Agnes Magnusdottir is condemned to death for her part in the brutal murder of two men.
Agnes is sent to wait out the time leading to her execution on the farm of District Officer Jon Jonsson, his wife and their two daughters. Horrified to have a convicted murderess in their midst, the family avoids speaking with Agnes. Only Toti, the young assistant reverend appointed as Agnes' spiritual guardian, is compelled to try to understand her, as he attempts to salvage her soul. As the summer months fall away to winter and the hardships of rural life force the household to work side by side, Agnes' ill-fated tale of longing and betrayal begins to emerge. And as the days to her execution draw closer, the question burns: did she or didn't she?
Based on a true story, Burial Rites is a deeply moving novel about personal freedom: who we are seen to be versus who we believe ourselves to be, and the ways in which we will risk everything for love. In beautiful, cut-glass prose, Hannah Kent portrays Iceland's formidable landscape, where every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?
Read Caroline Baum's Review:
This book stinks, in a good way. Of fish and blood and guts and unwashed bodies and earth and death.
In fact, it reeks of those things and more. This austere love letter to Iceland takes a true story of murder as its foundation. Based on records from the trial of the two women and one man convicted of killing and burning two men on a remote farm this is richly and darkly imagined in prose thick with atmospherics.
Kent is a precocious talent who understands how to animate research and transform it into compelling narrative. She shows mature prowess in creating the life of her central character, Agnes, one of the accused, a fierce woman with pale blue eyes who spends the last few weeks of her life re-examining the circumstances that brought her to her fate.
The assistant priest who comes to give her counsel is soon tormented by the spectre of Agnes' execution, as are the family she lives with in her final weeks. A scene in which they all make sausages together, up to their elbows in blood and guts, is particularly visceral and vivid.
This book comes with heavy industry hype, having earned an unusually high advance for a first novel. So many books burdened with extreme expectations fizzle out and are soon forgotten, fated to be embarrassing items on their publisher's balance sheet. I doubt this will happen to Burial Rites, which delivers a chilly story of brutality steeped in authentic detail that fills every sense. After reading it, you'll be extra grateful for that hot bath and nice cup of tea.
About the Author
Hannah Kent was born in Adelaide in 1985. As a teenager she travelled to Iceland on a Rotary Exchange, where she first heard the story of Agnes Magnusdottir. Hannah is the co-founder and deputy editor of Australian literary journal Kill Your Darlings, and is completing her PhD at Flinders University. In 2011 she won the inaugural Writing Australia Unpublished Manuscript Award. Burial Rites is her first novel.
BOOKTOPIA INTERVIEW: HANNAH KENT ANSWERS BOOKTOPIA'S TEN TERRIFYING QUESTIONS - CLICK HERE
'Burial Rites is beautiful and compelling . . . it's the announcement of a writer to watch.' - Guardian
'A gripping tale.' - New York Times
'An outstandingly good debut . . . I found myself spellbound . . . Kent has done a great deal of research and transformed its results into a work of art.' - Literary Review