"Early Cinema in Russia" chronicles one of the great lost periods in cinema history, that of Pre-Revolutionary Russia. In contrast to standard film histories, Yuri Tsivian focuses on reflected images: it features the historical film-goer and early writings on film as well as examining the physical elements of cinematic performance.
"Tsivian casts a probing beam of illumination into some of the most obscure areas of film history. And the terrain he lights up with his careful assembly and insightful reading of the records of early film viewing in Russia not only changes our sense of the history of this period but also . . . causes us to re-evaluate some of our most basic theoretical and historical assumptions about what a film is and how it affects its audiences."--Tom Gunning, from the Foreword
""Early Cinema in Russia" . . . reveals Tsivian's strengths very well and demonstrates why he is . . . the finest film historian of his generation in the former Soviet Union."--Denise Y. Youngblood, "Historical Journal of Film, Radio, and Television"
"A work of fundamental importance."--Julian Graffy, "Recent Studies of Russian and Soviet Cinema"
|List of illustrations|
|General editors' preface|
|Note on transliteration, translation and the Russian calendar|
|Foreword Tom Gunning|
|Early cinema architecture and the evolution of the social composition of cinema|
|Projection technique as a factor in aesthetic perception|
|The acoustics of cinema performance|
|The reception of interference|
|Shifting textual boundaries|
|The reception of the moving image|
|The reception of narrative categories|
|The receptions of narrative devices Postscript|
|Table of Contents provided by Publisher. All Rights Reserved.|
Number Of Pages: 292
Published: 1st January 1994
Publisher: The University of Chicago Press
Country of Publication: US
Dimensions (cm): 23.0 x 15.2 x 1.85
Weight (kg): 0.47