The port city of Liverpool, England, is home to one of the oldest Black communities in Britain. Its members proudly date their history back at least as far as the nineteenth century, with the global wanderings and eventual settlement of colonial African seamen. Jacqueline Nassy Brown analyzes how this worldly origin story supports an avowedly local Black politic and identity--a theme that becomes a window onto British politics of race, place, and nation, and Liverpool's own contentious origin story as a gloriously cosmopolitan port of world-historical import that was nonetheless central to British slave trading and imperialism.
This ethnography also examines the rise and consequent dilemmas of Black identity. It captures the contradictions of diaspora in postcolonial Liverpool, where African and Afro-Caribbean heritages and transnational linkages with Black America both contribute to and compete with the local as a basis for authentic racial identity. Crisscrossing historical periods, rhetorical modes, and academic genres, the book focuses singularly on "place," enabling its most radical move: its analysis of Black racial politics as enactments of English cultural premises. The insistent focus on English culture implies a further twist. Just as Blacks are racialized through appeals to their assumed Afro-Caribbean and African cultures, so too has Liverpool--an Irish, working-class city whose expansive port faces the world beyond Britain--long been beyond the pale of dominant notions of authentic Englishness. "Dropping Anchor, Setting Sail" studies "race" through clashing constructions of "Liverpool."
"Dropping Anchor, Setting Sail is one of the most nuanced, sophisticated, and ethnographically rigorous works on the process of racial formation available, stretching the analysis of 'race' well beyond the by now familiar somatic and political points of reference and theoretical debates. It is also an important and original contribution to our understanding of the spatial constitution of subjectivity and the African diaspora in a fascinating and little-researched ethnographic location." - Steven Gregory, Columbia University, author of Black Corona: Race and the Politics of Place in an Urban Community; "This eloquently written work engages with a variety of issues encompassing not just the discipline of anthropology but also sociology, race and ethnic studies, and black history." - Diane Frost, University of Liverpool, author of Work and Community among West African Migrant Workers since the Nineteenth Century"
|Setting Sail||p. 1|
|Black Liverpool, Black America, and the Gendering of Diasporic Space||p. 34|
|Genealogies: Place, Race, and Kinship||p. 70|
|Diaspora and Its Discontents: A Trilogy||p. 97|
|My City, My Self: A Folk Phenomenology||p. 129|
|A Slave to History: Local Whiteness in a Black Atlantic Port||p. 161|
|The Ghost of Muriel Fletcher||p. 187|
|Local Women and Global Men: The Liverpool That Was||p. 215|
|Postscript: The Leaving of Liverpool||p. 243|
|Table of Contents provided by Ingram. All Rights Reserved.|
Audience: Tertiary; University or College
Number Of Pages: 320
Published: 27th March 2005
Publisher: Princeton University Press
Country of Publication: US
Dimensions (cm): 23.47 x 17.12 x 1.96
Weight (kg): 0.48