Digital Culture and the U.S.-Mexico Border

Introduction

Section 1: Memory, Identity, and Representation of Human Mobility through Social Media and Digital Archives

1. Digital Archives and Womenâs Identity: Transborder Rhetorical Practices in Late 19th and Early 20th Century Periodicals

2. The Migrant Woman in the Language of the Mexican Digital Press

3. Embracing the âAmerican Dreamâ Social Media Imaginary vs. the Daily American Nightmare for Immigrant Women

4. Crossing the Darien with TikTok: Self-representation and Digital Solidarities in Forced Migrants from Venezuela in Transit to the U.S.

5. Music, Migration, and Mexicanness in the Digital World

Section 2: Art and Imaginaries: Border Experiences Mediated by Technology

6. The Rhetoric of Empathy: Digital Storytelling Co-creators Seeking to Humanize Migration and Deportation

7. Towards a Hyper-Aesthetics of Migration: Transnational Identities, Hyperborders, and Hypermediacy in the Visual Narratives of Evan Apodaca and Alex Rivera

8. Reimagining the U.S.-Mexico Borderlands through Contemporary Ecocritical Art

9. Rearticulating Ex-votos within Digital Spaces

10. Visual Imaginaries from Artificial Intelligence on the United States-Mexico Border.

Section 3: Digital Constraints: Representations and Modes of Border Political Control

11. Sleep Dealer (Alex Rivera, 2008): Reconfiguration of Limits/Borders in a Cyborg/Cybernetic Culture

12. âMi entrevista en Ju¡rezâ: The Digital Rhetorics of YouTube Immigration Videos

13. Higher Education for Dreamers Returning to Mexico: Vagueness of Official Communications from a User Experience Perspective

14. Engaging Action: Procedural Rhetoric and Agentive Arguments in Border Crossing Videogames

15. Migration Policy in Mexico and Situated Knowledge: The Denial of Justice as a Form of Discrimination