Preface
Overture: Why Study Aural SkillsThe Method
UNIT 1: SIMPLE METER, SCALES, AND INTERVALS
Chapter 1: Simple Meters1a: Simple Beats and Their First Division and Multiple Note Values
1b: Simple Duple and Quadruple Meter
1c: Simple Triple Meters
1d: Second Division and Multiple of the Beat in Simple Meters
1e: Rests
1f: Ties and Dotted Rhythms in Simple Meter
1g: The Anacrusis
1h: Less Common Simple Meters
Intermezzo 1: Professionalism
Chapter 2: Tonal Scales and Scale Degrees
2a: Reading in Clefs
2b: Major Scales and Scale Degrees
2c: Minor Scales and Scale Degrees
2d: How to Sing a Melody at Sight
2e: Major and Minor Pentatonic Scales
Intermezzo 2: Musicality
Chapter 3: Intervals
3a: The Process for Singing and Hearing Intervals
3b: Group 1 Intervals
3c: Group 2 Intervals
3d: Group 3 Intervals
3e: Introduction to Melodic Improvisation
Intermezzo 3: Listening
UNIT 2: COMPOUND METER AND DIATONIC CHORDS
Chapter 4: Compound Meter4a: Compound Meter
4b: Second Division of the Beat in Compound Meter
4c: Less Common Compound Meters
Intermezzo 4: Confidence
Chapter 5: Diatonic Triads5a: Singing and Hearing Triads
5b: Root Position Major Triads
5c: Root Position Minor Triads
5d: Inverted Major and Minor Triads
5e: Diminished Triads
5f: Improvising through Arpeggiation
5g: Common Harmonic Progressions 1
Intermezzo 5: Creativity
Chapter 6: Diatonic Seventh Chords
6a: Singing and Hearing Seventh Chords
6b: Dominant Seventh Chords
6c: Seventh Chords in the Major Mode
6d: Diatonic Seventh Chords in the Minor Mode
6e: Arpeggiation and Improvisation Using Seventh Chords
6f: Common Harmonic Progressions 2
Intermezzo 6: Perseverance
UNIT 3: IRREGULAR DIVISIONS OF BEATS, CHROMATICISM, AND MODULATION
Chapter 7: Irregular Divisions of Beats7a: Beat-Level Triplets
7b: Beat-Level Duplets
7c: Triplets in Augmentation and Diminution
7d: Other Divisions of the Beat
Intermezzo 7: Energy, Space, and Time
Chapter 8: Chromaticism in Tonal Scalar Structures8a: The Chromatic Scale and Surface Chromaticism
8b: The Ecclesiastic Modes
8c: Blues Scales and the Blues Progression
8d: Synthetic Scales
Intermezzo 8: Performance Preparation
Chapter 9: Chromaticism in Tonal Harmonic Structures
9a: Modal Mixture
9b: Secondary Chords in the Major Mode
9c: Secondary Chords in the Minor Mode
9d: Neapolitan and Augmented Sixth Chords
9e: Lead Sheets that Use Chromatic Chords
Intermezzo 9: Working with Other Musicians
Chapter 10: Syncopation
10a: Syncopation within a Measure (Intra-Measure Syncopation)
10b: Syncopation Across a Barline in Simple Meter (Inter-Measure Syncopation)
10c: Syncopation in Compound Meter
Intermezzo 10: Appreciating Diverse Musical Styles
Chapter 11: Music that Modulates
11a: Techniques for Modulation
11b: Modulation between Relative Keys
11c: Modulation to the Dominant and Subdominant
11d: Modulation to Other Closely Related Keys
11e: Modulation to Distantly Related Keys
Intermezzo 11: Taking Care of Yourself
UNIT 4: ADVANCED RHYTHMIC CONCEPTS AND POST-TONAL MUSIC
Chapter 12: Advanced Rhythmic Concepts
12a: Changing Meter
12b: Metric Modulation
12c: Polyrhythms and Polymeters
12d: Meters with Unequal Beats
Intermezzo 12: Building a Career in Music
Chapter 13: Post-Tonal Music
13a: Polytonality and Polymodality
13b: Whole Tone and Octatonic Scales
13c: Post-Tonal Music
Intermezzo 13: A Life of Aural Skills
AppendicesAppendix A Steps for Taking Rhythm Dictation
Appendix B Steps for Taking Harmonic Dictation
Appendix C Steps for Taking Melodic Dictation
Glossary of Non-English Musical Terms
Index of Musical ExamplesPermissions