After beginning his career as an architect in London, Calvert Vaux (1824-1895) came to the Hudson River valley in 1850 at the invitation of Andrew Jackson Downing, the reform-minded writer on houses and gardens. As Downing's partner, and after Downing's death in 1852, Vaux designed country and suburban dwellings that were remarkable for their well-conceived plans and their sensitive rapport with nature.
By 1857, the year he published his book Villas and Cottages, Vaux had moved to New York City. There he asked Frederick Law Olmsted to join him in preparing a design for Central Park. He spent the next 38 years defending and refining their vision of Central Park as a work of art. After the Civil War, he and Olmsted led the nascent American park movement with their designs for parks and parkways in Brooklyn, Buffalo, and many other American cities.
Apart from undertakings with Olmsted, Vaux cultivated a distinguished architectural practice. Among his clients were the artist Frederic Church, whose dream house, Olana, he helped create; and the reform politician Samuel Tilden, whose residence on New York's Gramercy Park remains one of the country's outstanding Victorian buildings. A pioneering advocate for apartment houses in American cities, Vaux designed buildings that mirrored the advance of urbanization in America, including early model housing for the poor. He planned the original portions of the Metropolitan Museum of Art and the American Museum of Natural History and conceived a stunning proposal for a vast iron and glass building to house the Centennial Exhibition in Philadelphia. Especially notable are the many bridges and other charming structures that he designed for Central Park. Vaux considered the Park's Terrace, decorated by J. W. Mould, as his greatest achievement.
An active participant in the cultural and intellectual life of New York, Vaux was an idealist who regarded himself as an artist and a professional. And while much has been written on Olmsted, comparatively little has been published about Vaux. The first in-depth account of Vaux's career, Country, Park, and City should be of great interest to historians of art, architecture, and urbanism, as well as preservationists and other readers interested in New York City's past and America's first parks.
"Scrupulously detailed...Kowsky's book is a work of serious scholarship. It is an important contribution to the history of the art and profession of landscape design, and to the context in which Vaux's more famous partner prevailed."--ARTnews "A handsome effort to rescue from comparative oblivion the architect who shared--and sometimes more than equally--with Frederick Law Olmsted in the design of Central Park and other New York amenities."--The New York Times Book Review "The fineness of detail in this exhaustive study will delight scholars...Students of the architectural history of New York will welcome the thorough discussion of individual commissions as well as the richness of Kowsky's insight into the personalities of professionals and patrons alike....Kowsky does real service...in demonstrating Clavert Vaux's rightful place beside Olmsted and other better-remembered designers as a major player in the shaping of New York....This will remain the definitive study Vaux's life and work."--The New York Times Book Review "Kowsky...has produced a definitive biography of Calvert Vaux's life and work that establishes beyond rebuttal his importance in the history of landscape design, and his impressive work as an architect as well....The wealth of detail in Kowsky's book is incredible and a more thorough account of an architect's life is difficult to imagine."--Tom Toles, Buffalo News "...the first full-length account of the architect's life and work...it treats him seriously, not only as a landscape designer but also as an architect."--New York Review of Books
|What Is a Young Architect to Do, and How Is He to Get On?: 1824-1850||p. 11|
|Il Buono e il Bello: 1850-1852||p. 23|
|The Inexhaustible Demand for Rural Residences: 1853-1856||p. 53|
|All That Human Intelligence Can Achieve in Adorning and Beautifying the Earth: 1857-1858||p. 91|
|The Only Thing That Gives Me Much Encouragement That I Have in Me the Germ of an Architect: The Terrace||p. 119|
|Possible Together, Impossible to Either Alone: 1859-1865||p. 137|
|Country Life in Comparison with City Life ... a Question of Delicate Adjustment: 1866-1872||p. 175|
|Always Light-Armed, Cheerful, and Ready for a Run to the Nearest Summit: 1873-1880||p. 229|
|A School of Romanticists Even Then Fast Vanishing: 1881-1895||p. 281|
|Table of Contents provided by Ingram. All Rights Reserved.|
Number Of Pages: 388
Published: 1st November 1997
Publisher: Oxford University Press Inc
Country of Publication: US
Dimensions (cm): 26.2 x 18.6 x 2.8
Weight (kg): 1.08