+612 9045 4394
Contrasting Images of the Book of Revelation in Late Medieval : and Early Modern Art: A Case Study in Visual Exegesis - Natasha F. H. O'Hear

Contrasting Images of the Book of Revelation in Late Medieval

and Early Modern Art: A Case Study in Visual Exegesis

Hardcover Published: 6th January 2011
ISBN: 9780199590100
Number Of Pages: 304

Share This Book:


RRP $197.95
or 4 easy payments of $31.48 with Learn more
Ships in 10 to 15 business days

Natasha O'Hear considers seven different visualisations of all or part of the Book of Revelation across a range of different media, from illuminated manuscripts, to tapestries, to altarpieces to paintings woodcut prints. Artists featured include the Van Eycks, Memling, Botticelli, Durer and Cranach the Elder. This study is a contribution to the history of interpretation of the Book of Revelation in the Late Medieval and Early Modern period in the form of seven visual case studies ranging from 1250-1522.
It is also is an attempt to understand the different ways in which images exhibit hermeneutical strategies akin to what is found in textual exegesis, but with the peculiar properties of synchronicity of both subject-matter and effect that distinguish them from reading a text. The book explores the multi-faceted scope of visual exegesis as a way of exploring the content and the character of a biblical text such as The Book of Revelation, as well as the complementary relationship between textual and visual exegesis.

Overall, this is a brilliant, readable, and illuminating study, which shows convincingly why at least some of the artists O'Hear discusses should be regarded as profound and creative biblical exegetes, capable of grasping Revelation's essential subject matter to a degree that has frequently eluded those who write the commentaries. * Ian Boxall, The Journal of Theological Studies *
This book is a model for a reception-historical approach to the Bible in the arts that wishes to take this approach seriously by giving due attention to specific works of art rather than to rush into generalisations. Reception history builds on tradition, but lives from innovation and that is made clear again in this book. * J. Verheyden, Ephemerides Theologicae Lovanienses *
I recommend this volume for anyone with an interest in any aspect of medieval and early modern artwork inspired by Revelation. * Garrick V. Allen, Transpositions *
... she (O'Hear) is sure-footed and writes elegantly ... O'Hear is convinced that only artists are able to recapitulate the visionary experience of Revelation. This study alerts us to a crucial way of re-engaging with scripture, and there are timely reminders of both St Bridget of Sweden and St Teresa of Avila if we would see God as the Word made flesh. * Revd Dr Nicholas Cranfield, Church Times Review *

Introduction 1: The Lambeth Apocalypse: The Thirteenth Century 2: The Angers Apocalypse Tapestry: The Fourteenth Century 3: The Ghent Altarpiece and the St John Altarpiece: The Fifteenth Century 4: The Mystic Nativity: Botticelli and the Book of Revelation 5: A Time of Transition: Late Medieval and Early Modern Germany 6: Hermeneutical Reflections and Visual Exegesis Conclusion

ISBN: 9780199590100
ISBN-10: 0199590109
Series: Oxford Theological Monographs
Audience: Professional
Format: Hardcover
Language: English
Number Of Pages: 304
Published: 6th January 2011
Publisher: Oxford University Press
Country of Publication: GB
Dimensions (cm): 23.8 x 15.6  x 3.3
Weight (kg): 0.68