Contemporary Australian Plays

The Hotel Sorrento, Dead White Males, Two, The 7 Stages of Grieving, The Popular Mechanicals

By: Ron Elisha, Wesley Enoch, Deborah Mailman, Hannie Rayson, Keith Robinson

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Paperback | 1 May 2005 | Edition Number 1

At a Glance

Paperback
400 Pages

Dimensions(cm)
29.4 x 20.9 x 8.3

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Saturday night, small town Wales, one pub, one party and three lads stuck with their school reputations - the gimp, the geek and the bully. Their dream - to get the hell out

Dead White Males: "Triumphant...The neatly lined up ducks of academic absolutism are ruthlessly, and hilariously, assassinated" - Sydney Morning Herald; "Swain is a wonderful creation" - Guardian
The 7 Stages of Grieving: "A subtle and complex invitation to experience something of the depth of Aboriginal grieving" - Melbourne Age.
Hotel Sorrento: "Has a moody, evocative, literary sweep and scope to it" - Sydney Morning Herald
Two: In 1948, in a German town, Anna comes to Rabbi Chaim Levi for Hebrew lessons. As the two study the language, their stories are gradually revealed, raising fundamental moral questions as they try to reconcile their tormented pasts and accept and renew their lives.
The Popular Mechanicals: "One of the most rollickingly entertaining nights in the theatre" (Sydney Morning Herald)

Industry Reviews

"Hotel Sorrento: 'Has a moody, evocative, literary sweep and scope to it' Sydney Morning Herald Dead White Males: 'Triumphant... The neatly lined up ducks of academic absolutism are ruthlessly, and hilariously, assassinated' Sydney Morning Herald 'Swain is a wonderful creation' Guardian Two: In 1948, in a German town, Anna comes to Rabbi Chalm Levi for Hebrew lessons. As the two study the language, their stories are gradually revealed, raising fundamental moral questions as they try to reconcile their tormented pasts and accept and renew their lives. The 7 Stages of Dreaming: 'A subtle and complex invitation to experience something of the depth of Aboriginal grieving' Melbourne Age. The Popular Mechanicals: 'One of the most rollickingly entertaining nights in the theatre' Sydney Morning Herald"

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