{"id":23561,"date":"2012-04-07T19:20:54","date_gmt":"2012-04-07T09:20:54","guid":{"rendered":"http:\/\/blog.booktopia.com.au\/?p=23561"},"modified":"2016-03-01T09:48:39","modified_gmt":"2016-02-29T23:48:39","slug":"drusilla-modjeska-author-of-the-mountain-timepieces-stravinskys-lunch-and-more-answers-ten-terrifying-questions","status":"publish","type":"post","link":"https:\/\/www.booktopia.com.au\/blog\/2012\/04\/07\/drusilla-modjeska-author-of-the-mountain-timepieces-stravinskys-lunch-and-more-answers-ten-terrifying-questions\/","title":{"rendered":"Drusilla Modjeska, author of The Mountain, Timepieces, Stravinsky’s Lunch and more, answers Ten Terrifying Questions"},"content":{"rendered":"

\"\"<\/a>The Booktopia Book Guru <\/strong>asks<\/strong><\/p>\n

Drusilla Modjeska<\/strong><\/h1>\n

author of The Mountain<\/a>, Timepieces<\/a>, Stravinsky’s Lunch<\/a> and more,<\/strong><\/p>\n

Ten Terrifying Questions<\/strong><\/h2>\n

——————————<\/p>\n

1. To begin with why don\u2019t you tell us a little bit about yourself – where were you born? Raised? Schooled?<\/strong><\/p>\n

I was born, raised and schooled in Britain.<\/p>\n

<\/strong>2. What did you want to be when you were twelve, eighteen and thirty? And why?<\/strong><\/p>\n

At twelve in the 1950s, I don\u2019t think I had an idea of \u2018being\u2019 anything, except perhaps a ballerina, which was an acceptable fantasy. My father was advanced for the time and when I went to secondary school, he told me there were changes coming in the lives of girls and women and we would be needed in the professions. He sent me to an academic school, which I hated. At eighteen, my greatest wish was never to write another essay.<\/strong><\/p>\n

<\/strong>3. What strongly held belief did you have at eighteen that you do not have now?\"\"<\/a><\/strong><\/p>\n

I\u2019m not sure that I could be said to have had beliefs at eighteen. Perhaps, though, I wanted something to believe in, or some other way of seeing, for at the age of twenty I married an American anthropologist, and together we went to Papua New Guinea. We arrived there in 1968, and everything about my life changed.<\/p>\n

4. What were three works of art \u2013 book or painting or piece of music, etc \u2013 you can now say, had a great effect on you and influenced your own development as a writer?<\/strong><\/p>\n

At the age I am now, it\u2019s impossible to choose three books from the rich tapestry of a reading life. Instead I will give three from each adult decade. In my twenties it was, perhaps, Franz Fanon<\/a>, Chinua Achebe<\/a> and James Baldwin<\/a>. In my thirties, Virginia Woolf<\/a>, Simone de Beauvoir<\/a> and Doris Lessing<\/a>. For my forties, titles spring to mind: Tolstoy<\/a>\u2019s Anna Karenina<\/a>,<\/em> Christa Wolf<\/a>\u2019s Cassandra<\/a>,<\/em> Rilke<\/a>\u2019s The Duino Elegies<\/a>.\u00a0 <\/em>\u00a0In my fifties it was Henry James<\/a>, Andr\u00e9 Makine<\/a> and Elizabeth Bowen<\/a>. And now, in this decade, Philip Roth<\/a>\u2019s late novels, Javier Mar\u00edas<\/a> and Imre Kert\u00e9sz<\/a>.<\/strong><\/p>\n

\"\"<\/a>5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?<\/strong><\/p>\n

<\/strong>It was the art form that was in me as a story-teller child. Besides, I can\u2019t think without a pen in my hand.<\/p>\n

6. Please tell us about your latest novel\u2026<\/strong><\/em><\/p>\n

The Mountain<\/a><\/em><\/strong> is set in Papua New Guinea. It is a novel that follows two generations of characters, some expatriate, others Papuan, from the idealism of the years before Independence through to the complex realities of today. It begins with the arrival in Port Moresby of Leonard, an ethnographic film-maker from Oxford, with his Dutch wife Rika.<\/p>\n

\"\"<\/a><\/strong>At the new university, Rika, who is just twenty, meets Martha and Laedi, the young wives of Leonard\u2019s colleagues, with whom she becomes close friends. She also meets Papuan student Jacob, who takes her for an early morning walk to the swamp, his room mate Milton who asks her to bring her camera to rehearsals of his play, and Jacob\u2019s clan brother Aaron, who returns from Europe with an MA, the first Papuan to teach at the university. When Laedi\u2019s husband Don insists on going with Leonard to the mountain where he is to film the bark cloth artists, Rika stays behind at the university. The consequences, both on the mountain and at the university, will change all their lives. Independence, five years later, brings them a birth and a death.<\/p>\n

In 2005, Jericho takes leave from the gallery in London where he works and returns to the mountain where he was born – and to Laedi and Don\u2019s daughter Bili, who is still in Port Moresby working as an environmental lawyer. The question facing him is whether he can bridge the distance between his life in London and the place of his birth? Or should he persuade Bili to return with him to London? Can he satisfy the expectations of his kin on the mountain? Can their barkcloth art survive another generation? Will he discover the truth about his birth, and about the events of independence that have been shrouded in silence for thirty years?<\/p>\n

That\u2019s the story, or the outline of it without giving away what happens. For me it has been a huge journey into fiction, and its demanded of me everything that I have become, everything I have learned after four decades of writing and reading.<\/p>\n

Click here to buy The Mountain<\/em> from Booktopia,
\nAustralia’s No.1 Online Bookshop<\/a><\/strong><\/p>\n

\"\"<\/a><\/strong>7. What do you hope people take away with them after reading your work?<\/strong><\/p>\n

I hope they will take away some understanding of Papua New Guinea, the complex country to our north. And that perhaps they may reflect on what independence means, not only for a nation but for individuals and groups.<\/p>\n

8. Whom do you most admire in the realm of writing and why?<\/strong><\/p>\n

I admire many writers, and I admire the courage of those who write along the fault-lines – of our histories and our lives, personal or collective. I admire writers who make us think, and re-think, and think again.<\/p>\n

9. Many artists set themselves very ambitious goals. What are yours?<\/strong><\/p>\n

I no longer have much in the way of ambition, other that to write and live and well as I can.<\/p>\n

10. What advice do you give aspiring writers?<\/strong><\/p>\n

A young writer \u2013 any writer \u2013 needs courage, and also patience.\u00a0 Courage to write from the heart, patience to return to draft after draft.<\/p>\n

Drusilla, thank you for playing.<\/strong><\/p>\n

Click here to buy The Mountain<\/em> from Booktopia,
\nAustralia’s No.1 Online Bookshop<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The Booktopia Book Guru asks Drusilla Modjeska author of The Mountain, Timepieces, Stravinsky’s Lunch and more, Ten Terrifying Questions —————————— 1. To begin with why don\u2019t you tell us a little bit about yourself – where were you born? Raised? Schooled? I was born, raised and schooled in Britain. 2. What did you want to be when you were twelve, eighteen and thirty? And why? At twelve in the 1950s, I don\u2019t think I had an idea of \u2018being\u2019 anything, except perhaps a ballerina, which was an acceptable fantasy. My father was advanced for the time and when I went to<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[84],"tags":[993,1715,5184,5767],"acf":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/23561"}],"collection":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/comments?post=23561"}],"version-history":[{"count":1,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/23561\/revisions"}],"predecessor-version":[{"id":57328,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/23561\/revisions\/57328"}],"wp:attachment":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/media?parent=23561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/categories?post=23561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/tags?post=23561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}