{"id":16931,"date":"2011-07-26T09:35:42","date_gmt":"2011-07-25T23:35:42","guid":{"rendered":"http:\/\/blog.booktopia.com.au\/?p=16931"},"modified":"2016-03-01T09:51:08","modified_gmt":"2016-02-29T23:51:08","slug":"nick-earls-author-of-the-fix-zigzag-street-the-true-story-of-butterfish-and-many-more-answers-ten-terrifying-questions","status":"publish","type":"post","link":"https:\/\/www.booktopia.com.au\/blog\/2011\/07\/26\/nick-earls-author-of-the-fix-zigzag-street-the-true-story-of-butterfish-and-many-more-answers-ten-terrifying-questions\/","title":{"rendered":"Nick Earls, author of The Fix, Zigzag Street, The True Story of Butterfish and many more, answers Ten Terrifying Questions"},"content":{"rendered":"

\"\"<\/a>The Booktopia Book Guru asks<\/strong><\/p>\n

Nick Earls<\/strong><\/h1>\n

author of The Fix<\/em><\/a>, Zigzag Street<\/a>, The True Story of Butterfish<\/em><\/a> and many more<\/a><\/strong><\/p>\n

Ten Terrifying Questions<\/strong><\/h2>\n

————————–<\/strong><\/p>\n

\u00a01. To begin with why don\u2019t you tell us a little bit about yourself – where were you born? Raised? Schooled?<\/strong><\/p>\n

Born: Northern Ireland. For years I thought I was born on the fire escape of Newtownards Hospital, since someone pointed to the building when I was three and said \u2018That\u2019s where you were born\u2019. It\u2019s still the first image I see when anyone asks me.<\/p>\n

We moved to Australia not long before I turned nine, and I\u2019ve lived in Brisbane since then.<\/p>\n

I went to Churchie (now the Anglican Church Grammar School) in Brisbane and then did Medicine at UQ, scraping through with the dodgiest honours degree in my year, probably due to my examiners being distracted by the arrival of the Pope during my final clinical exam (yes, seriously).<\/p>\n

2. What did you want to be when you were twelve, eighteen and thirty? And why?\"\"<\/a><\/strong><\/p>\n

At 12 I wanted to be a diplomat for a week when one of my friends at school said he wanted to be a diplomat because his uncle was one. I had not idea what it was. Most of the time, though, even at that age, I wanted to be a creator of stories of some kind. Working out when I was eight that the person whose name was on a book got money for writing it was quite an epiphany \u2013 you sat around making things up, and GOT MONEY FOR IT??? Could there be a better job? The answer, decades later, is still No.<\/p>\n

At 18 I was a med student and terrible poet and I wrote a bad novel on Friday nights (Vogel strikeout #1 of 4, I think).<\/p>\n

At 30 I was a part-time GP with one book behind me, desperately trying to overcome that one book and find out what I\u2019d be writing next.<\/p>\n

3. What strongly held belief did you have at eighteen that you do not have now?<\/strong><\/p>\n

My father showed me an email for the first time around then. I was pretty confident the whole \u2018communicating using computers\u2019 thing was a non-starter \u2026<\/p>\n

Okay, that\u2019s not exactly a belief. I don\u2019t think my core beliefs have shifted a lot, but let me put that down to great parenting in the first place rather than a hopeless lack of reflection on my part.<\/p>\n

4. What were three works of art \u2013 book or painting or piece of music, etc \u2013 you can now say, had a great effect on you and influenced your own development as a writer?<\/strong><\/p>\n

\"\"<\/a>The Go-Betweens\u2019 album Spring Hill Fair<\/em> showed me you could come from my town, create things and take them anywhere. It\u2019s simple existence meant a lot. I happen to be a fan of the music too.<\/p>\n

Spalding Gray\u2019s Monster in a Box<\/em> <\/a>was given to me in the early 90s when I really needed to find something as a writer. I had been too busy outsmarting myself until then. I read it as a book, but it was also written as a monologue and the voice was what got me. It felt like truly being inside someone\u2019s head, and getting access to every foible, revelation and missed beat. I set out to try my version of that and my luck changed.<\/p>\n

Richard Ford<\/a>\u2019s fiction has been an influence too, I think. We did an event together in Vancouver in 2001 and I heard him read. It gave me access to his rhythms, which put me in a great position to read him after that. Reading him \u2013 and other writers a bit like him \u2013 made me slow down as a writer and think and focus my observations.<\/p>\n

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?<\/strong><\/p>\n

You obviously haven\u2019t heard me sing. Or play guitar. Or seen me act.<\/p>\n

The odd thing is the way the job has opened up other avenues and allowed me to prove that this is the only artistic endeavour I have any kind of shot at. Maybe any endeavour. As a novelist I\u2019ve been involved in canoe races (uselessly partnering Mal Meninga, who dragged us into fourth at the finish), soccer games (in front of 1000s of people), cabaret, making food, acting (including two TV campaigns promoting Brisbane and a cameo in a movie adaptation of one of my novels), and making objets d\u2019art for fundraisers. I\u2019ve painted two mugs, a plate, a stump cap, a pillow slip, a box, a T shirt, a bra and so far six canvases to raise funds for charity. There\u2019s another canvas waiting on the chair next to me right now. I can\u2019t say No. I\u2019m terrible at it, but I love doing it and people keep asking.<\/p>\n

6. Please tell us about your latest novel\u2026<\/strong><\/p>\n

\"\"<\/a><\/strong>The first ideas for The Fix<\/em><\/a> came along 7-8 years ago. I was thinking about identity, and someone projecting themselves as someone they weren\u2019t and it coming unstuck.<\/p>\n

I read The Great Gatsby<\/em><\/a> to see one really accomplished way of narrating that kind of character from the point of view of another, since that was the point of view I wanted to use. The Great Gatsby<\/a> also got me thinking about what it said about America then, and I wondered if I could find a couple of characters who might offer something about early this century. That might sound as if I had some big agenda, but it\u2019s more about finding a way in or having something to hang a story on. A big idea can be a weight on a story or a hook, and I wanted this one to be a hook. And I wanted to develop enough story that the idea could vanish into the background \u2013 I wanted to deal with it, but I wanted the story and characters to be the dominant force.<\/p>\n

Media management and the manipulation of stories (I\u2019m not even going to try to say \u2018truth\u2019) looked like an interesting prospect. Then I needed to come up with the person I was launching at the media and the person managing the process. I needed to know what the story was supposed to be and what was really going on. I thought about it on and off for several years and I came up with Ben Harkin, who is to be awarded a Star of Courage for his role in a siege, and Josh Lang, the media fixer hired to get him through it.<\/p>\n

Actually, I didn\u2019t come up with Ben and Josh then \u2013 not the names anyway. The names came when I put out a call on Twitter and Facebook for people to have characters named after themselves. Despite the proviso that they had no say over what the characters did or said, and that anyone could end up as an ageing man-boobed strip club manager in a XXXL Mambo shirt with a nose rendered two-dimensional by boxing in the seventies, 500 people got on board. I think they gave names to 20 characters.\"\"<\/a><\/p>\n

But back to the novel \u2026 I wanted the story to have a lot to it that Josh could discover or pick at bit by bit and I wanted to have fun with it. It was then a question of accumulating the hundreds of small details that would deliver that for me. That required a pretty thorough grounding in Gold Coast minigolf and the behind-the-scenes workings of Brisbane strip clubs, and a fair bit of time with publicists. My only mistake was not keeping receipts for the minigolf.<\/p>\n

Over time, the story took shape. I realised what Ben\u2019s agenda might be, and Josh\u2019s \u2013 they each had to have at least one – and I decided to complicate the present by giving them a difficult past. So Josh, as he\u2019s preparing Ben for the inevitable media coverage to do with his bravery award, picks and picks at the details of his story, and it starts to come undone. At the same time he meets a girl, which is great, though it only makes life more complicated (good for me as the writer, not always easy for Josh).<\/p>\n

I worked on it as a screenplay first because I could see it, right from the opening chopper shot with voiceover. Then feedback from a producer all of a sudden gave me another layer \u2013 to both the story and the fixing that was going on by various characters \u2013 and one of the endings to a story that I\u2019ve been most excited about. Suddenly, I had a real need to write it as a novel.<\/p>\n

Order your copy of The Fix<\/em> from Booktopia, Australia’s No. 1 Online Bookshop – click here<\/strong><\/a><\/p>\n

\"\"<\/a>7. What do you hope people take away with them after reading your work?<\/strong><\/p>\n

A compelling urge to buy the book for all their friends. It\u2019s pretty much the perfect choice for any breathing Anglophone human over the age of 14 (with translation pending for those beyond the Anglosphere\u2026).<\/p>\n

With a few books behind me now, I feel if anything less inclined to tell people how to read them, or to suggest that they might take anything particular away. Even very positive responses can vary hugely from one reader to another. That\u2019s the beauty of reading, I think \u2013 it\u2019s the same words each time, but how they land in your skull is personal.<\/p>\n

This time there\u2019s more story, maybe, and I hope that works. I hope the story pulls people along. I hope the parts that are supposed to be funny are actually funny. I hope the people who like those parts will also connect with the rest. I hope anyone who ferrets around for Gatsby references gets something out of it too.<\/p>\n

I hope it\u2019s good writing.<\/p>\n

8. Whom do you most admire in the realm of writing and why?<\/strong><\/p>\n

Maybe Jessica Adams<\/a>, for dreaming big with the War Child fundraising anthologies and pulling it off. She and her friends took commercial fiction and got it to raise $3m for really important work instead of the authors\u2019 own pockets. Jessica in particular put a lot on hold for years for that. That\u2019s something to admire.<\/p>\n

9. Many artists set themselves very ambitious goals. What are yours?<\/strong>\"\"<\/a><\/strong><\/p>\n

To keep doing this job. To get better at it, every time if possible. To rack up a string of New York Times bestsellers plus commercially triumphant Oscar-winning film adaptations and lead a total rockstar life while being an excellent family man at the same time. That\u2019s not too ambitious, is it?<\/p>\n

10. What advice do you give aspiring writers?<\/strong><\/p>\n

Honestly, this job is already a crapshoot and the industry is facing its biggest changes since 1450. You should only be pursuing this if you can\u2019t talk yourself out of it. I\u2019m not saying that negatively. I\u2019m doing this job because, between 1978 and 1996, I couldn\u2019t talk myself out of trying one more time. If you don\u2019t want it badly, it\u2019s really okay to do something else.<\/p>\n

If you do want it badly: read, think, write, find your voice, try to get a sense of how the industry works and remember that rejection is the norm but if you try 50 things and only 49 of them don\u2019t come off, you\u2019re a rung higher up the ladder than you were before.<\/p>\n

Nick, thank you for playing.<\/strong><\/p>\n

Follow Nick on Twitter – here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Booktopia Book Guru asks Nick Earls author of The Fix, Zigzag Street, The True Story of Butterfish and many more Ten Terrifying Questions ————————– \u00a01. To begin with why don\u2019t you tell us a little bit about yourself – where were you born? Raised? Schooled? Born: Northern Ireland. For years I thought I was born on the fire escape of Newtownards Hospital, since someone pointed to the building when I was three and said \u2018That\u2019s where you were born\u2019. It\u2019s still the first image I see when anyone asks me. We moved to Australia not long before I turned nine, and I\u2019ve lived in Brisbane since then. I went to Churchie (now the Anglican Church Grammar School) in Brisbane and then did Medicine at UQ, scraping through with the dodgiest honours degree in my year, probably due to my examiners being distracted by the<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[4],"tags":[3948,5513,5580,6036,6660],"acf":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/16931"}],"collection":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/comments?post=16931"}],"version-history":[{"count":1,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/16931\/revisions"}],"predecessor-version":[{"id":57685,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/16931\/revisions\/57685"}],"wp:attachment":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/media?parent=16931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/categories?post=16931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/tags?post=16931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}