{"id":164901,"date":"2022-04-26T15:20:54","date_gmt":"2022-04-26T04:20:54","guid":{"rendered":"https:\/\/www.booktopia.com.au\/blog\/?p=164901"},"modified":"2022-04-27T12:25:52","modified_gmt":"2022-04-27T01:25:52","slug":"ten-terrifying-questions-with-luke-arnold","status":"publish","type":"post","link":"https:\/\/www.booktopia.com.au\/blog\/2022\/04\/26\/ten-terrifying-questions-with-luke-arnold\/","title":{"rendered":"Ten Terrifying Questions with Luke Arnold!"},"content":{"rendered":"\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.booktopia.com.au\/one-foot-in-the-fade-luke-arnold\/book\/9780356516189.html?utm_source=booktopian&amp;utm_medium=blog&amp;utm_campaign=ttqs_luke_arnold\"><img loading=\"lazy\" width=\"665\" height=\"300\" src=\"https:\/\/www.booktopia.com.au\/blog\/wp-content\/uploads\/2022\/04\/LukeArnold-Blog.png\" alt=\"Luke Arnold - Header Banner\" class=\"wp-image-164907\" srcset=\"https:\/\/www.booktopia.com.au\/blog\/wp-content\/uploads\/2022\/04\/LukeArnold-Blog.png 665w, https:\/\/www.booktopia.com.au\/blog\/wp-content\/uploads\/2022\/04\/LukeArnold-Blog-300x135.png 300w\" sizes=\"(max-width: 665px) 100vw, 665px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><em>Luke Arnold was born in Australia and has spent the last decade acting his way around the world, playing iconic roles such as Long John Silver in the Emmy-winning Black Sails and his award-winning turn as Michael Hutchence in the INXS mini-series Never Tear Us Apart. When he isn&#8217;t performing, Luke is a screenwriter, director, novelist and ambassador for Save the Children Australia. He is also the author of the Fetch Phillips fantasy series.<\/em><\/p>\n\n\n\n<p><em>Today, to celebrate the release of the latest Fetch Phillips book, <strong><a href=\"https:\/\/www.booktopia.com.au\/one-foot-in-the-fade-luke-arnold\/book\/9780356516189.html?utm_source=booktopian&amp;utm_medium=blog&amp;utm_campaign=ttqs_luke_arnold\" target=\"_blank\" rel=\"noreferrer noopener\">One Foot in the Fade<\/a><\/strong>, Luke Arnold is on the blog to take on our Ten Terrifying Questions! Read on &#8230;<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<div id=\"attachment_117995\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.booktopia.com.au\/one-foot-in-the-fade-luke-arnold\/book\/9780356516189.html?utm_source=booktopian&amp;utm_medium=blog&amp;utm_campaign=ttqs_luke_arnold\"><img aria-describedby=\"caption-attachment-117995\" loading=\"lazy\" class=\"size-medium wp-image-117995\" src=\"https:\/\/www.booktopia.com.au\/blog\/wp-content\/uploads\/2020\/01\/Luke-Arnold-author-photo-341x512-200x300.jpg\" alt=\"Luke Arnold\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.booktopia.com.au\/blog\/wp-content\/uploads\/2020\/01\/Luke-Arnold-author-photo-341x512-200x300.jpg 200w, https:\/\/www.booktopia.com.au\/blog\/wp-content\/uploads\/2020\/01\/Luke-Arnold-author-photo-341x512.jpg 341w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><p id=\"caption-attachment-117995\" class=\"wp-caption-text\">Luke Arnold<\/p><\/div>\n<p><strong>1. To begin with, why don\u2019t you tell us a little bit about yourself \u2013 where were you born? Raised? Schooled?<\/strong><\/p>\n<p>I was born in Adelaide and spent my primary school years in the Adelaide Hills, which were really pretty ideal for that time of my life. Our house was at the bottom of a cul-de-sac street where every home had a kid close to my age, a dog, a place to build a cubby and, over time, either a Sega or Nintendo system. I moved to Sydney for High School until year 11, then I finished up on the Sunshine Coast, before heading over to WAAPA in Perth to study acting. All the moving around likely prepared me for the unpredictable life that would come from being in the arts.<\/p>\n\n\n<p><strong>2. What did you want to be when you were twelve, eighteen and thirty? And why?<\/strong><\/p>\n\n\n\n<p>At twelve, I wanted to write and draw comics. I loved writing stories and did art classes after school, so creating comic books seemed like the perfect combination of my passions.<\/p>\n\n\n\n<p>At eighteen, I was deciding whether to train to be a writer or an actor. I was working my first job in the film industry, behind the scenes, and had applied to writing courses, film school and WAAPA. The lead actor in the film I was working on told me that writers and directors generally have happier lives than actors, and my principal told me that I was a great writer but a terrible actor so I should definitely go do writing or directing. Despite all advice to the contrary, I ended up going to drama school and I don\u2019t regret it at all. We didn\u2019t have a lot of money growing up so I didn\u2019t leave the country until acting started taking me around the world.<\/p>\n\n\n\n<p>At thirty, <em>Never Tear Us Apart<\/em>, where I played Michael Hutchence, had just aired and I was working on a brilliant pirate show called <em>Black Sails<\/em>. I loved performing both of those roles, it left me feeling creatively fulfilled as an actor for the first time, so I felt I was ready to get back into developing my own work.<\/p>\n\n\n\n<p><strong>3. What strongly held belief did you have at eighteen that you don\u2019t have now?<\/strong><\/p>\n\n\n\n<p>For better or worse, I\u2019ve never been one to firmly believe in much of anything. I&#8217;ve always been aware of my own naivete and try to stay open to having my world turned on its head. My parents instilled that at an early age. Rather than enforce a particular view of the world, they promoted openness, malleability and curiosity. There are some downsides to this though. A strong world view and set of beliefs can help propel you through the world, but I don\u2019t mind the fact that I can look at most accepted ideas, rules, or ways of doing things and think \u201cyeah, but what if it\u2019s all nonsense?\u201d<\/p>\n\n\n\n<p><strong>4. What are three works of art \u2013 this could be a book, painting, piece of music, film, etc \u2013 that influenced your development as a writer?<\/strong><\/p>\n\n\n\n<p><em>The Big Sleep<\/em> \u2013 Both <strong><a href=\"https:\/\/www.booktopia.com.au\/the-big-sleep-and-other-novels-raymond-chandler\/book\/9780141182612.html?utm_source=booktopian&amp;utm_medium=blog&amp;utm_campaign=ttqs_luke_arnold\" target=\"_blank\" rel=\"noreferrer noopener\">the book<\/a><\/strong> by Raymond Chandler and the film starring Humphry Bogart. My Dad recorded it off the TV when I was young and after we watched it together on some rainy Sunday, I was hooked. It inspired me to go back through classic cinema, and then follow the influences of film noir through Chinatown, Blade Runner, and beyond. Those films clearly set the foundations for the Sunder City series, while also pushing me towards a career in cinema. The Chandler books would have also been some of the first adult books I read, opening up a world of literature outside the school library.<\/p>\n\n\n\n<p><em>Return to Oz<\/em> \u2013 This is a weird one but, like a lot of those children\u2019s films from the 80\u2019s and 90\u2019s \u2013 things like <em>The Witches<\/em>,<em> The Peanut Butter Solution<\/em>, <em>The Never Ending Story<\/em> &#8211; it really got under my skin. There was something about seeing the yellow brick road shattered into pieces that woke my little brain up to mortality, aging and impermanence. Or at least showed me a story that expressed those complex feelings that were bubbling up inside but I was as yet incapable of grasping, let alone expressing myself. The fact that the characters were inexplicably different from the first film, and the continuity was all over the place, only added to the nightmarish quality of the whole thing. Horror filmmakers have to work really hard to create the kind of existential terror that film activated in my little mind.<\/p>\n\n\n\n<p><em>Sesame Street<\/em> \u2013 It\u2018s probably the most important TV show ever made. I love to go back and watch old episodes and I\u2019m constantly awed at the creativity, care and respect that the program has for its viewers. It\u2019s educational but also so full of joy, humour, heartfelt sincerity and perfectly crafted nonsense. It\u2019s truly one of humanity\u2019s greatest creations and it features a bunch of googly-eyed puppets that we all, in some part of our brain, believe are real. There is no doubt that the sensibilities, rhythms, poetry, humour and heart of that show imprinted on my brain at an early age, and I\u2019m sure I\u2019m a better person for it.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>&#8216;These books aren\u2019t really designed to make you slam down the back cover with a smile on your face and jump online to write a glowing review, but I hope that there are enough moments where the reader feels connected to Fetch\u2019s inner world and relates to his hope and his pain.&#8217;<\/p><\/blockquote><\/figure>\n\n\n\n<p><strong>5. Considering the many artistic forms out there, what appeals to you about writing a novel?<\/strong><\/p>\n\n\n\n<p>I love that \u2013 for the most part &#8211; I can do it on my own. The beauty of the film industry is that it\u2019s collaborative. You get hundreds of dedicated specialists and bring all their brilliant hands and minds together on one project. But getting to that point is an arduous task that, more often than not, eventuates in an unproduced script sitting in a drawer. I\u2019m never short of ideas and have ambitions in a variety of mediums, but most of them require other people to come on board early, and bring money, skills and support. With a novel, I can be anywhere in the world, without any special equipment, and get to work. And when it\u2019s done, I can give it to someone else and they can enjoy it as it\u2019s intended. They don\u2019t need to imagine a film crew bringing it to life, or a great piano player underscoring it, or a brilliant artist rendering what I\u2019ve described. It\u2019s just my imagination dancing with theirs.<\/p>\n\n\n\n<p><strong>6. Please tell us about your latest novel!<\/strong><\/p>\n\n\n\n<p><em>One Foot in the Fade<\/em> is the third book in the Fetch Phillips Archives, following <strong><em><a href=\"https:\/\/www.booktopia.com.au\/the-last-smile-in-sunder-city-luke-arnold\/book\/9780356512884.html?utm_source=booktopian&amp;utm_medium=blog&amp;utm_campaign=ttqs_luke_arnold\" target=\"_blank\" rel=\"noreferrer noopener\">The Last Smile in Sunder City<\/a> <\/em><\/strong>and <em><strong><a href=\"https:\/\/www.booktopia.com.au\/dead-man-in-a-ditch-luke-arnold\/book\/9780356512921.html?utm_source=booktopian&amp;utm_medium=blog&amp;utm_campaign=ttqs_luke_arnold\" target=\"_blank\" rel=\"noreferrer noopener\">Dead Man in a Ditch<\/a><\/strong><\/em>. They are set in a fantasy world where, six years ago, the magic faded from existence. For two books, Fetch Phillips has been working as a Man for Hire, trying to do a little bit of good in a broken world, dealing with the fallout of the catastrophe and the complicated process of what they will build from the ashes. In this third book, he breaks out of his usual alcohol-fuelled self-loathing routine and kicks things up a notch. An angel has fallen on the streets of Sunder City, as if dropped from a great height; higher than any of the nearby buildings. Fetch sets out to discover how an angel might have flown without magic, and the case sends him out of the city on the kind of adventure that he thought this world had left behind.<\/p>\n\n\n\n<p>These books are a mix of noir and fantasy, and while the first two are mostly urban crime novels in a dystopian magical setting, this one flirts with a more traditional magical quest.<\/p>\n\n\n\n<p><strong>7. What do you hope people take away with them after reading your work?<\/strong><\/p>\n\n\n\n<p>That\u2019s a tough one because it\u2019s never any specific thought or realisation, more of a mood. And it\u2019s tough again because this series is noir, and noir has an inherent level of dissatisfaction. These books aren\u2019t really designed to make you slam down the back cover with a smile on your face and jump online to write a glowing review, but I hope that there are enough moments where the reader feels connected to Fetch\u2019s inner world and relates to his hope and his pain. He is a mess of a man but, despite his trauma and his vices and his self-doubt and self-loathing, he\u2019s trying to work out what he can do to put some good back into a broken world rather than just be part of the problem.<\/p>\n\n\n\n<p><strong>8. Who do you most admire in the writing world and why?<\/strong><\/p>\n\n\n\n<p>I\u2019m bad with absolutes, so I\u2019ll just say that someone I\u2019m in awe of right now is Donald Glover. <em>Atlanta <\/em>is a phenomenal piece of art that perfectly balances social commentary and drama with humour, surrealism and irreverence. It is clearly a very personal piece that deals with a specific lived experience but is also universally accessible and relatable. There is a boldness and confidence that makes you want to dig into the surreal elements to find out what they might be hinting at, but even when you don\u2019t know the context it\u2019ll get under your skin and into your head. It\u2019s always interesting to watch an artist who isn\u2019t afraid to reinvent themselves and push beyond what they or anyone else has done before.<\/p>\n\n\n\n<p><strong>9. Many artists set themselves very ambitious goals. What are yours?<\/strong><\/p>\n\n\n\n<p>Every piece of art is ambitious. Most stuff doesn\u2019t work and even when it does, usually nobody cares anyway. I\u2019m in the middle of a bunch of projects now \u2013 mostly things I can\u2019t yet announce &#8211; in mediums that are completely new to me, and I really just try to deal with what\u2019s in front of me at any given time. I\u2019m working towards bringing my experience as a writer and actor together, creating more of my own projects in different fields, but there\u2019s no particular place in the future I\u2019m trying to get to. If I get to work on interesting projects with friendly, talented people, then I\u2019m going to continue to be happy.<\/p>\n\n\n\n<p><strong>10. Do you have any advice for aspiring writers?<\/strong><\/p>\n\n\n\n<p>This advice works for all creative industries and probably most things in life. Your main reward for doing something well is the opportunity to do more of that thing. Don\u2019t do something because you think it will get you to a place where you can be someone else or live some other kind of life. Do the thing you want to do. When you have to sit alone all day pulling ideas out of your head to get something down on paper, know that even if you\u2019re successful, the praise and prizes will be fleeting and you\u2019ll soon have to go back in that room alone again to do some more work. So make sure you write the thing that, when people tell you they want more, you\u2019ll be happy to write again. Write about the things that keep you up at night, write them the way you want to write them, and then when people want more of what you offer, you only have to look inside yourself to see what comes next.<\/p>\n\n\n\n<p><strong>Thank you for playing!<\/strong><\/p>\n\n\n\n<p><strong>\u2014<em><a href=\"https:\/\/www.booktopia.com.au\/one-foot-in-the-fade-luke-arnold\/book\/9780356516189.html?utm_source=booktopian&amp;utm_medium=blog&amp;utm_campaign=ttqs_luke_arnold\" target=\"_blank\" rel=\"noreferrer noopener\">One Foot in the Fade<\/a><\/em> by Luke Arnold (Hachette Australia) is out now.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hear from the actor and author of the Fetch Phillips fantasy series.<\/p>\n","protected":false},"author":4,"featured_media":164911,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[6676],"tags":[715,723,6799,2313,10938,14747,5184,14748],"acf":[],"jetpack_featured_media_url":"https:\/\/www.booktopia.com.au\/blog\/wp-content\/uploads\/2022\/04\/LukeArnold-Social.png","_links":{"self":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/164901"}],"collection":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/comments?post=164901"}],"version-history":[{"count":21,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/164901\/revisions"}],"predecessor-version":[{"id":164983,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/posts\/164901\/revisions\/164983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/media\/164911"}],"wp:attachment":[{"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/media?parent=164901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/categories?post=164901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.booktopia.com.au\/blog\/wp-json\/wp\/v2\/tags?post=164901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}