To invent good stories, and to tell them well, are possibly very rare talents, and yet I have observed few persons who have scrupled to aim at both: and if we examine the romances and novels with which the world abounds, I think we may fairly conclude, that most of the authors would not have attempted to show their teeth (if the expression may be allowed me) in any other way of writing; nor could indeed have strung together a dozen sentences on any other subject whatever. Scribimus indocti doctique passim, (Each desperate blockhead dares to write: Verse is the trade of every living wight. Francis) may be more truly said of the historian and biographer, than of any other species of writing; for all the arts and sciences (even criticism itself) require some little degree of learning and knowledge.
Poetry, indeed, may perhaps be thought an exception; but then it demands numbers, or something like numbers: whereas, to the composition of novels and romances, nothing is necessary but paper, pens, and ink, with the manual capacity of using them. This, I conceive, their productions show to be the opinion of the authors themselves: and this must be the opinion of their readers, if indeed there be any such.
Hence we are to derive that universal contempt which the world, who always denominate the whole from the majority, have cast on all historical writers who do not draw their materials from records. And it is the apprehension of this contempt that hath made us so cautiously avoid the term romance, a name with which we might otherwise have been well enough contented.
Though, as we have good authority for all our characters, no less indeed than the vast authentic doomsday-book of nature, as is elsewhere hinted, our labours have sufficient title to the name of history. Certainly they deserve some distinction from those works, which one of the wittiest of men regarded only as proceeding from a pruritus, or indeed rather from a looseness of the brain.
Henry Fielding: The History of Tom Jones – A Foundling
About Tom Jones : A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire – though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy’s scheming nephew and escapes from her rambunctious father to follow Tom to London. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and goodnatured authorial interjections, Tom Jones (1749) is one of the greatest and most ambitious comic novels in English literature.
Booktopia Book Guru : If you have any love of great literature, especially English literature, you must make time for The History of Tom Jones. You will quickly discover why so many have declared it the finest novel ever penned.
About the Contributor
While still in his twenties, John Purcell opened a second-hand bookshop in Mosman, Sydney, in which he sat for ten years reading, ranting and writing. Since then he has written, under a pseudonym, a series of very successful novels, interviewed hundreds of writers about their work, appeared at writers’ festivals, on TV (most bizarrely in comedian Luke McGregor’s documentary Luke Warm Sex) and has been featured in prominent newspapers and magazines. Now, as the Director of Books at booktopia.com.au, Australia’s largest online bookseller, he supports Australian writing in all its forms. He lives in Sydney with his wife, two children, three dogs, five cats, unnumbered gold fish and his overlarge book collection. His novel, The Girl on the Page, will be published by HarperCollins Australia in October, 2018.