With their searing colors and compelling images, the paintings of Francis Bacon are among the most powerful, and the most poignant, to be made in the twentieth century.
During his sixty-odd years as a painter Francis Bacon fearlessly tackled the unruly imagery of life, remaining defiantly committed to giving "this purposeless existence a meaning." His insistence on depicting the mysteries of human experience had been rare in an age dominated by abstraction. Now, with the international resurgence of figurative imagery, the pivotal importance of his work has become more obvious than ever before.
The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies and Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response.
About Abbeville's Modern Masters series:
With informative, enjoyable texts and over 100 illustrationsapproximately 48 in full colorthis innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artists life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.
Praise for Abbeville's Modern Masters series: "Each author has thoroughly done his or her homework, knows the historical, critical and personal contexts intimately, and writes extraordinarily well." -- Artnews "Concise, well-produced, and well-written." -- New York Times Book Review "Brief, affordable, well illustrated, and packed with information." -- Art in America
Table of Contents from: Francis Bacon Introduction Images after Art Images from Life Images of Mortality Artists Statements Notes on Technique Chronology Exhibitions Public Collections Selected Bibliography Index