+612 9045 4394
Leading art historians and artist-writers discuss some of the most important artists of the postwar period and take a critical look at the construction of modern art history.
| Acknowledgements | |
| Notes on Contributors | |
| Introduction: Art Has No History! Reflections on Art History and Historical Materialism | p. 1 |
| Francis Picabia: Another Failure to Interpret the Work | p. 37 |
| The Difficult Freedom of Ad Reinhardt | p. 63 |
| Figuring Jasper Johns | p. 111 |
| Taxinomia and Taxomania: Some Groundwork towards an Evaluation of the Art of Robert Smithson | p. 133 |
| Warhol's Voice, Benys's Face, Crow's Writing | p. 156 |
| Truth and Beauty: The Ruined Abstraction of Gerhard Richter | p. 180 |
| Victor Burgin's Polysemic Dreamcoat | p. 200 |
| Circuit-breaking Desires: Critiquing the Work of Mary Kelly | p. 230 |
| Cindy Sherman: Theory and Practice | p. 257 |
| Laurie Anderson: Myth, Management and Platitude | p. 278 |
| Index | p. 297 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
ISBN: 9780860914570
ISBN-10: 0860914577
Audience:
Professional
Format:
Paperback
Language:
English
Number Of Pages: 327
Published: 1st August 1994
Publisher: Verso Books
Country of Publication: GB
Dimensions (cm): 23.4 x 15.6
x 1.7
Weight (kg): 0.46
Edition Number: 1
