American Film Musical

CONTENTS. PREFACEI. An Introduction to the Theory of Genre Analysis, General Discourse on Meaning. The Role of Generic Formations in Meaning Production. The Role of the Critic. Toward Objective Evaluation of Subjective Criticism. Establishing a Corpus. The American Film Musical as Dual-Focus NarrativeIII. The Structure of the American Film Musical. The film process through a series of paired segments matching the male and female leads. Each separate part of the film recapitulates the films overall duality. The basic sexual duality overlays a secondary dichotomy. The marriage which resolves the primary (sexual) dichotomy also mediates between the two terms of the secondary (thematic) opposition IV. The Style of the American Film Musical. Audio Dissolve. Video Dissolve. Personality Dissolve.V. The Problem of Genre History.Problems with Current Terminology.Towards a New Terminology.Defining the Corpus.Reformulating Genre Histor.The History of the American Film Musical: A New Approach. VI. The Fairy Tale Musical. Prehistory. Sex as Sex. Sex as Battle. Sex as Adventure. VII. The Show Musical. The Sources of Show Musical Semantics.Backstage: The Syntax of Illusion. Taking it Out of the Theater.Saving the Dying Myth: Reflexivity as Reinforcement. VIII. The Folk Musical. Elements of the Folk Musical. Building a Folk Syntax. A Folk Art in the Age of Mass Media. IX. Genre and Culture. The Fundamental Characteristics of Genre Film.Symbolic Spectatorship.Work and Entertainment.The Musicals Operational Role.The Practice of Music in the Age of Electronic Reproduction. Conclusion. BIBLIOGRAPHICAL NOTES. NOTES. YEARLY TABLE OF MUSICALS BY SUBGENRE.INDEX.