Affinities and Medieval Transposition

ABBREVIATIONSINTRODUCTIONCHAPTERI. FROM HUCBALD TO GUIDO: ORIGINS OF THE CONCEPTHucbaldÕs De harmonica institutioneMusica enchiriadis and Scolica enchiriadisDialogus de musicaBernoÕs Prologus in tonariumMicrologus and Epistolaby Guido of ArezzoII. THE ELEVENTH- AND TWELFTH-CENTURY COMMENTATORS: TRANSPOSITION AND TRANSFORMATIONLiber argumentorum and Liber specierumMusica by Hermannus ContractusMusica by Wilhelm of HirsauDe musica by AriboCommentarius Anonymus in Micrologum Guidonis AretiniThe Leipzig TreatiseThe Leipzig TonaryQuaestiones in musicaAnonymous WolfDe musica by JohnThe Cistercian TreatisesIII. HEXACHORDS: SEATS OF THE MODESA Treatise by Johannes de GarlandiaTractatus de tonis by Petrus de CrucePractica artis musice by AmerusTractatus de musica by Magister LambertusTractatus de musica by Jerome of MoraviaSpeculum musicae by Jacques de LiegeLucidarium by Marchetto of PaduaQuatuor principalia musicaeCantuagium by Heinrich Eger von KalkarCousse4makerÕs Anonymous IIV. CONIUNCTAE OR TRANSPOSITIONThe Berkeley ManuscriptAnonymous, Rome, Vatican lat. 5129Anonymous XIThe Szalkai TreatiseLectura by Petrus TallanderiusV. THE RISE OF OCTAVE SPECIES THEORYDeclaratio musicae disciplinae by Ugolino of OrvietoLiber de natura et proprietate tonorum by Johannes TinctorisDe preceptis artis musicae by Guilielmus MonachusMusices opusculum by Nicolaus BurtiusPractica musicae by Franchinus GaffuriusOpus aureum musicae and Enchiridion musices by Nicolaus WollickMusicae activae micrologus by Andreas OrnithoparchusThe Writings of Pietro AaronThe Writings of Martin AgricolaScintille di Musica by Giovanni Maria LanfrancoRecanetum de musica aurea by Stefano VanneoThe Writings of Henricus GlareanusCONCLUSIONAPPENDIXA Discussion of Principal Sedes According to WilhelmB Passages on ÒTransposition by NecessityÓC Chant Citations in MarchettoÕs Discussion of the Eight ModesD Treatises by Johannes Cochlaeus, Venceslaus Philomathes and Georg RhauNOTESBIBLIOGRAPHYINDEX OF CHANTSGENERAL INDEX