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Vibe Merchants : The Sound Creators of Jamaican Popular Music - Ray Hitchins

Vibe Merchants

The Sound Creators of Jamaican Popular Music

Hardcover

Published: 11th August 2014
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Vibe Merchants offers an insidera (TM)s perspective on the development of Jamaican Popular Music, researched and analysed by a thirty-year veteran with a wide range of experience in performance, production and academic study. This rare perspective, derived from interviews and ethnographic methodologies, focuses on the actual details of music-making practice, rationalized in the context of the economic and creative forces that locally drive music production. By focusing on the work of audio engineers and musicians, recording studios and recording models, Ray Hitchins highlights a music creation methodology that has been acknowledged as being different to that of Europe and North America. The book leads to a broadening of our understanding of how Jamaican Popular Music emerged, developed and functions, thus providing an engaging example of the important relationship between music, technology and culture that will appeal to a wide range of scholars.

'Working as a session musician in Jamaica since the early 1980s, Ray Hitchins is uniquely placed to comment on the island's studio practices. ... Hitchins interviewed key studio personnel to shed new light on the evolution of reggae and dancehall, forming the basis for this accessible book. Vibe Merchants sheds much new light on the early days of the Jamaican recording industry ... Honing in on errors in the existing literature he calls for a new understanding of the Jamaican recording studio aesthetic'. MOJO Magazine '... one of the most convincing and enjoyable traits of his book is the natural familiarity and the deep comprehension with which the author presents how music is actually made, i.e. turned into records, in studios in general, and in Jamaican ones in particular. This enables him to offer significant contributions to both research fields within which his work is inserted. ... Hitchins provides for the first time detailed and contextualized descriptions of recording and mixing sessions, giving an extremely clear picture of how music is made in Jamaica. ... a must-read for anyone interested in Jamaican popular music'. Volume!

Contents: Introduction; Jamaica's first recording studio; The demand for new styles of recorded music; Establishing an internationally competitive recording model; Establishing a Jamaican sound; The 1970s-1980s: a period of dramatic change; Drum machines and synthesisers: the serial recording model; The riddim production method: the audio engineer as music arranger; Computer-based recording and the multi-role producer in the 1990s; A Jamaican recording studio ethnography; Conclusion; Appendices; Bibliography; Index.

ISBN: 9781472421869
ISBN-10: 1472421868
Series: Ashgate Popular and Folk Music Series
Audience: Tertiary; University or College
Format: Hardcover
Language: English
Number Of Pages: 254
Published: 11th August 2014
Publisher: Taylor & Francis Ltd
Country of Publication: GB
Dimensions (cm): 23.4 x 15.6  x 1.6
Weight (kg): 0.61
Edition Type: New edition