On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the "singings."
Illustrated with forty-one songs from the original songbook, "The Sacred Harp" is a comprehensive account of a unique form of folk music. Buell Cobb's study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.
"An 'inside' history of the movement . . . Cobb describes in detail the tradition as a whole, its music, its early history, the editions of "The Sacred Harp", and the rise and decline of the big singing conventions."--"American Historical Review"
|Preface to the Brown Thrasher Edition||p. vii|
|The Tradition||p. 1|
|The Music||p. 30|
|The Background and Early History||p. 57|
|The Revisions||p. 84|
|The Conventions||p. 128|
|The Outlook||p. 149|
|Traditional Sacred Harp Singings: Dates and Locations||p. 163|
|Selected Songs from the Sacred Harp||p. 187|
|Selected Bibliography||p. 229|
|Table of Contents provided by Syndetics. All Rights Reserved.|
Series: Brown Thrasher Books
Number Of Pages: 245
Published: 10th October 1989
Publisher: University of Georgia Press
Dimensions (cm): 21.6 x 14.2 x 1.7
Weight (kg): 0.35