The Getting Of Wisdom : Popular Penguins

Author: Richardson Henry Handel
Introduction by: Michael Ackland

Henry Handel Richardson's The Getting of Wisdom is the coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.

Author Biography

Henry Handel Richardson was the pen-name of Ethel Florence Lindesay Richardson, who was born in Melbourne, Australia in 1870. Her father was a medical graduate of Edinburgh University, and her mother was the daughter of a Leicester solicitor; they married after migrating to Australia during the Victorian goldrushes. After her father's death in 1879, her mother worked as a postmistress in country towns, but later she was able to take Ethel and her sister Lilian to Europe, to study music at Leipzig. Ethel, who became a skilled pianist, married John George Robertson, a science graduate turned philologist. Robertson was appointed Professor of German and Scandinavian Languages and Literatures at London University in 1903, where he became one of the foremost scholars of his day. By this time Ethel had begun to write, having given up all thought of a musical career. Her first novel, Maurice Guest, was published in 1908 and had a number of imitators. Her second, The Getting of Wisdom, published in 1910 was described by H. G. Wells as the best school story he knew. Her most important work was The Fortunes of Richard Mahony, published in three volumes, comprising Australia Felix, The Way Home and Ultima Thule, from 1917 to 1929.

After the death of her husband in 1933, Richardson moved to a house near Hastings with her devoted companion Olga Roncoroni. The End of a Childhood and Other Stories was published in 1934 and the novel The Young Cosima in 1939 when she was sixty-nine years old. During the war she began an autobiography, Myself When Young, but, left it unfinished at her death in 1946.

A short while before her death, she signed a contract with Metro-Goldwyn-Mayer for the film rights of The Fortunes of Richard Mabony, but production was suspended and not resumed.

Chapter One

The four children were lying on the grass.

'... and the Prince went further and further into the forest,' said the elder girl, 'till he came to a beautiful glade - a glade, you know, is a place in the forest that is open and green and lovely. And there he saw a lady, a beautiful lady, in a long white dress that hung down to her ankles, with a golden belt and a golden crown. She was lying on the sward - a sward, you know, is grass as smooth as velvet, just like green velvet - and the Prince saw the marks of travel on her garments. The bottom of the lovely silk dress was all dirty—'

'Wondrous Fair, if you don't mind you'll make that sheet dirty, too,' said Pin.   .

'Shut up, will you' answered her sister who, carried away by her narrative, had approached her boots to some linen that was bleaching.

'Yes, but you know Sarah'll be awfly cross if she has to wash it again,' said Pin, who was practical.

'You'll put me out altogether,' cried Laura angrily. - 'Well, as I said, the edge of her robe was all muddy - no, I don't think I will say that; it sounds prettier if it's clean. So it hung in long, straight beautiful folds to her ankles, and the Prince saw two little feet in golden sandals peeping out from under the hem of the silken gown, and—'

'But what about the marks of travel?' asked Leppie.

'Donkey' haven't I said they weren't there? If I say they weren't, then they weren't. She hadn't travelled at all.'

'Oh, parrakeets!' cried little Frank.

Four pairs of eyes went up to the bright green flock that was passing over the garden.

'Now you've all interrupted, and I shan't tell any more, said Laura in a proud voice.

'Oh, yes, please do, Wondrous Fair! Tell what happened next,' begged Pin and Leppie.

'No, not another word. You can only think of sheets and parrakeets. '

'Please, Wondrous Fair,' begged little Frank.

'No, I can't now. – Another thing: I don't mind if you call me Laura to-day, as it's the last day.'

She lay back on the grass, her hands clasped under her head. A voice was heard, loud, imperative.

'Laura, I want you. Come here.'

'That's mother calling,' said Pin.

Laura kicked her heels. The two little boys laughed approval.

'Go on, Laura,' coaxed Pin. 'Mother'll be angry. I'll come, too.'

Laura raised herself with a grumble. 'It's to try on that horrid dress.'

In very fact Mother was standing, already somewhat impatient, with the dress in her hand. Laura wriggled out of the one she had on, and stood stiffly and ungraciously, with her arms held like pokers from her sides, while Mother on her knees arranged the length.

'Don't put on a face like that, miss!' she said sharply on seeing Laura's air. 'Do you think I'm making it for my own pleasure?' She had sewn at it all day, and was hot and tired.

'It's too short,' said Laura, looking down.

'It's nothing of the kind,' said Mother, with her mouth full of pins.

'It is, it's much too shore

Mother gave her a slight shake. 'Don't you contradict me' Do you want to tell me I don't know what length you're to wear your dresses?'

'I won't wear it at all if you don't make it longer,' said Laura defiantly.

Pin's chubby, featureless little face lengthened with ap­prehension.

'Do let her have it just a tiny bit longer, mother dear, dear' she pleaded.

'Now, Pin, what have you got to do with it I'd like to know' said Mother, on the vergc of losing her temper over the back folds, which would not hang.

'I'm going to school to-morrow, and it's a shame,' said Laura in the low, passionate tone that never failed to exasperate Mother, so different was it from her own hearty fashion of venting displeasure. Pin began to sniff, in sheer nervous anxiety.

'Very well then. I won't do another stitch to it' and Mother, now angry in earnest, got up and bounced out of the room.

'Laura, how can you?' said Pin, dissolving. 'It's only you who make her SO cross.'

'I don't care,' said Laura rebelliously, though she was not far off tears herself 'It is a shame. All the other girls will have dresses down to the tops of their boots, and they'll laugh at me, and call me a baby;' and touched by the thought of what lay before her, she, too, began to sniffle. She did not fail, however, to roll the dress up and to throw it into a corner of the room. She also kicked the ewer, which fell over and flooded the floor. Pin cried more loudly, and ran to fetch Sarah.

Laura returned to the garden. The two little boys came up to her; but she waved them back.

'Let me alone, children. I want to think.'

She stood in a becoming attitude by the garden-gate, her brothers hovering in the background. - Then Mother called once more.

'Laura, where are you?'

'Here, mother. What is it?'

'Did you knock this jug over or did Pin?'

'I did, mother.'

'Did you do it on purpose?'

'Yes.'

'Come here to me.'

She went, with lagging steps. But Mother's anger had passed: she was at work on the dress again, and by squinting her eyes Laura could see that a piece was being added to the skirt. She was penitent at once; and when Mother in a sorry voice said: 'I'm ashamed of you, Lama. And on your last day, too,' her throat grew narrow.

'I didn't mean it, mother.'

'If only you would ask properly for things, you would get them.'

Laura knew this, knew indeed that, did she coax, Mother could refuse her nothing. But coaxing came hard to her; something within her forbade it. Sarah called her 'high­stomached', to the delight of the other children and her own indignation; she had explained to them again and again what Sarah really meant.

On leaving the house she went straight to the flower-beds: she would give Mother, who liked flowers very well but had no time to gather them, a bouquet the size of a cabbage. Pin and the boys were summoned to help her, and when their hands were full, Laura led the way to a secluded part of the gar­den on the farther side of the detached brick kitchen. In this strip, which was filled with greenery, little sun fell: two thick fir trees and a monstrous blue-gum stood there; high bushes screened the fence; jessamine climbed the wall of the house and encircled the bedroom windows; and on the damp and shady ground only violets grew. Yet, with the love children bear to the limited and compact, the four had chosen their own little spots here rather than in the big garden at the back of the house; and many were the times they had all begun anew to dig and to rake. But if Laura's energy did not fizzle out as quickly as usual - she was the mood for the rest - Mother was sure to discover that it was too cramped and dark for them in there, and send Sarah to drive them off.

Here, safely screened from sight, Laura sat on a bench and made up her bouquet. When it was finished - red and white in the centre with a darker border, the whole surrounded by a ring of violet leaves - she looked about for something to tie it up with. Sarah, applied to, was busy ironing, and had no string in the kitchen, so Pin ran to get a reel of cotton. But while she was away Laura had an idea. Bidding Leppie hold the flowers tight in both his sticky little hands, she climbed in at her bedroom window, or rather, by lying on the sill with her legs waving in the air, she managed to grab, without losing her balance, a pair of scissors from the chest of drawers. With these between her teeth she emerged, to the excited interest of the boys who watched her open­-mouthed.

Laura had dark curls, Pin fair, and both wore them flapping at their backs, the only difference being that Laura, who was now twelve years old, had for the past year been allowed to bind hers together with a ribbon, while Pin's bobbed as they chose. Every morning early, Mother brushed and twisted, with a kind of grim pride, these silky ringlets round her finger. Although the five odd minutes the curling occupied were durance vile to Laura, the child was proud of her hair in her own way; and when in the street she heard someone say: 'Look - what pretty curls!' she would give her head a toss and send them all a-rippling. In addition to this, there was a crown­ing glory connected with them: one hot December morning, when they had been tangled and Mother had kept her standing too long, she had fainted, pulling the whole dressing-table down about her ears; and ever since, she had been marked off in some mysterious fashion from the other children. Mother would not let her go out at midday in summer: Sarah would I say: 'Let that be, can't you' did she try to lift something that was too heavy for her; and the younger children were to be quelled by a threat to faint on the spot, if they did not do as she wished. 'Laura's faint' had become a byword in the family; and Laura herself held it for so important a fact in her life that she had more than once begun a friendship with the words: 'Have you ever fainted? I have.'

From among these long, glossy curls, she now cut one of the longest and most spiral, cut it off close to the root, and with it bound the flowers together. Mother should see that she did I know how to give up something she cared for, and was not as selfish as she was usually supposed to be.

'Oh . . . h. . . h ' said both little boys in a breath, then doubled up in noisy mirth. Laura was constantly doing something to set their young blood in amazement: they looked upon her as the personification of all that was startling and unexpected. But Pin, returning with the reel of thread, opened her eyes in a different way.

'Oh, Laura . . . ,'she began, tearful at once.

'Now, res'vor'! retorted Laura scornfully - 'res'vor' was Sarah's name for Pin, on account of her perpetual wateriness. 'Be a cry-baby, do.' But she was not damped; she was lost ill the pleasure of self-sacrifice.

Pin looked after her as she danced on, then moved submis­sively in her wake to be near at hand should intercession be needed. Laura was so unsuspecting, and Mother would be so cross. In her dim, childish way Pin longed to see these, her two nearest, at peace; she understood them both so well, and they had little or no understanding for each other. - So she crept to the house at her sister's heels.

Lama did not go indoors; hiding against the wall of the Bagged verandah, she threw her bouquet in at the window, meaning it to fall on Mother's lap.

But Mother had dropped her needle, and was just lifting her face, flushed with stooping, when the flowers hit her a thwack on the head. She groped again, impatiently, to find what had struck her, recognised the peace-offering, and thought of the surprise cake that was to go into Laura's box on the morrow. Then she saw the curl, and her face darkened. Was there ever such a tiresome child? What in all the world would she do next?

'Laura, come here, directly'

Laura had moved away; she was not expecting recognition.

If Mother were pleased she would call Pin to put the flowers in water for her, and that would be the end of it. The idea of a word of thanks would have made Laura fed uncomfortable. Now, however, at the tone of Mother's voice, her mouth set stubbornly. She went indoors as bidden, but was already up in arms again.

'You're a very naughty girl indeed' began Mother as soon she appeared. 'How dare you cut off your hair? Upon my word, if it weren't your last night I'd send you to bed without any supper' - an unheard-of threat on the part of Mother, who punished her children in any way but that of denying them their food. 'It's a very good thing you're leaving home to-morrow, for you'd soon be setting the others at defiance, too, and I should have four naughty children on my hands instead of one. - But I'd be ashamed to go to school such a fright if I were you. Turn round at once and let me see you!'

Laura turned, with a sinking heart. Pin cried softly in a corner.

'She thought it would please you, mother,' she sobbed.

'I will not have you interfering, Pin, when I'm speaking to Laura. She's old enough by now to know what I like and what I don't,' said Mother, who was vexed at the thought of the child going among strangers thus disfigured. – 'And now get away, and don't let me see you again. You're a perfect sight.'

'Oh, Laura, you do look funny!' said Leppie and Frank in weak chorus, as she passed them in the passage.

'Well, you 'ave made a guy of yourself this time, Miss Laura, and no mistake l' said Sarah, who had heard the above.

Laura went into her own room and locked the door, a thing Mother did not allow. Then she threw herself on the bed and cried. Mother had not understood in the least; and she had made herself a sight into the bargain. She refused to open the door, though one after another rattled the handle, and Sarah threat­ened to tum the hose in at the window. So they left her alone, and she spent the evening in watery dudgeon on her pillow. But before she undressed for the night she stealthily made a chink and took in the slice of cake Pin had left on the door-mat. Her natural buoyancy of spirit was beginning to reassert itself. By brushing her hair well to one side she could cover up the gap, she found; and after all, there was something rather pleasant in knowing that you were misunderstood. It made you feel different from everyone else.

Mother - sewing hard after even the busy Sarah had retired - Mother smiled a stem little smile of amusement to herself; and before locking up for the night put the dark, curl safely away.

ISBN: 9780143202707
ISBN-10: 0143202707
Number Of Pages: 264
Publisher: Penguin Australia
Format: Paperback
Language: English
Dimensions (cm): 18.100 x 11.5  x 1.400
Weight (kg): 18.2
Audience: General