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The Beautiful And Damned : Popular Penguins - F. Scott Fitzgerald

The Beautiful And Damned : Popular Penguins

Paperback

Published: 28th June 2010
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Anthony and Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth.

But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony and Gloria must grow up and face reality; they may be beautiful but they are also damned.

Author Biography

F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University, which he left in 1917 to join the army. He was said to have epitomized the Jazz Age, which he himself defined as 'a generation grown up to find all Gods dead, all wars fought, all faiths in man shaken'. In 1920 he married Zelda Sayre. Their traumatic marriage and her subsequent breakdowns became the leading influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and The Last Tycoon (his last and unfinished work); six volumes of short stories and The Crack Up, a selection of autobiographical pieces.

Fitzgerald died suddenly in 1940. After his death The New York Times said of him that 'He was better than he knew, for in fact and in the literary sense he invented a 'generation'. . . he might have interpreted and even guided them, as in their midle years they saw a different and nobler freedom threatened with destruction.'

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      Comments about The Beautiful And Damned : Popular Penguins:

      superimposing Scott & Zelda's name for the characters gives you even more insight into their World.

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      BOOK ONE

      1 Anthony Patch

      In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual 'There!' – yet at the brink of this story he has as yet gone no further than the con­scious stage. As you first see him he wonders frequently whether he is not without honour and slightly mad, a shame­ful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well ad­justed to his environment, and somewhat more significant than any one else he knows.

      This was his healthy state and it made him cheerful, pleas­ant, and very attractive to intelligent men and to all women. In this state he considered that he would one day accomplish some quiet subtle thing that the elect would deem worthy and, passing on, would join the dimmer stars in a nebulous, indeterminate heaven half-way between death and im­mortality. Until the time came for this effort he would be Anthony Patch – not a portrait of a man but a distinct and dynamic personality, opinionated, contemptuous, function­ing from within outward – a man who was aware that there could be no honour and yet had honour, who knew the sophistry of courage and yet was brave.

      A Worthy Man and His Gifted Son

      Anthony drew as much consciousness of social security from being the grandson of Adam J. Patch as he would have had from tracing his line over the sea to the crusaders. This is inevitable; Virginians and Bostonians to the contrary not‑withstanding, an aristocracy founded sheerly on money postulates wealth in the particular.

      Now Adam J. Patch, more familiarly known as Cross Patch', left his father's farm in Tarrytown early in sixty-one to join a New York cavalry regiment. He came home from the war a major, charged into Wall Street, and amid much fuss, fume, applause, and ill will he gathered to himself some seventy-five million dollars.

      This occupied his energies until he was fifty-seven years old. It was then that he determined, after a severe attack of sclerosis, to consecrate the remainder of his life to the moral regeneration of the world. He became a reformer among reformers. Emulating the magnificent efforts of Anthony Comstock, after whom his grandson was named, he levelled a varied assortment of uppercuts and body-blows at liquor, literature, vice, art, patent medicines, and Sunday theatres. His mind, under the influence of that insidious mildew which eventually forms on all but the few, gave itself up furiously to every indignation of the age. From an armchair in the office of his Tarrytown estate he directed against the enormous hypothetical enemy, unrighteousness, a campaign which went on through fifteen years, during which he dis­played himself a rabid monomaniac, an unqualified nuis­ance, and an intolerable bore. The year in which this story opens found him wearying; his campaign had grown des­ultory; 1861 was creeping up slowly on 1895; his thoughts ran a great deal on the Civil War, somewhat on his dead wife and son, almost infinitesimally on his grandson Anthony.

      Early in his career Adam Patch had married an anaemic lady of thirty, Alicia Withers, who brought him one hundred thousand dollars and an impeccable entrée into the banking circles of New York. Immediately and rather spunkily she had borne him a son and, as if completely devitalized by the magnificence of this performance, she had thenceforth effaced herself within the shadowy dimensions of the nursery. The boy, Adam Ulysses Patch, became an inveterate joiner of clubs, connoisseur of good form, and driver of tandems —at the astonishing age of twenty-six he began his memoirs under the title New York Society as I Have Seen It. On the rumour of its conception this work was eagerly bid for among publishers, but as it proved after his death to be immoderately verbose and overpoweringly dull, it never obtained even a private printing.

      This Fifth Avenue Chesterfield married at twenty-two. His wife was Henrietta Lebrune, the Boston 'Society Con­tralto', and the single child of the union was, at the request of his grandfather, christened Anthony Comstock Patch. When he went to Harvard, the Comstock dropped out of his name to a nether hell of oblivion and was never heard of thereafter.

      Young Anthony had one picture of his father and mother together — so often had it faced his eyes in childhood that it had acquired the impersonality of furniture, but every one who came into his bedroom regarded it with interest. It showed a dandy of the nineties, spare and handsome, stand­ing beside a tall dark lady with a muff and the suggestion of a bustle. Between them was a little boy with long brown curls, dressed in a velvet Lord Fauntleroy suit. This was Anthony at five, the year of his mother's death.

      His memories of the Boston Society Contralto were nebu­lous and musical. She was a lady who sang, sang, sang, in the music-room of their house on Washington Square —sometimes with guests scattered all about her, the men with their arms folded, balanced breathlessly on the edges of sofas, the women with their hands in their laps, occasionally making little whispers to the men and always clapping very briskly and uttering cooing cries after each song — and often she sang to Anthony alone, in Italian or French or in a strange and terrible dialect which she imagined to be the speech of the Southern Negro.

      His recollections of the gallant Ulysses, the first man in America to roll the lapels of his coat, were much more vivid. After Henrietta Lebrune Patch had 'joined another choir', as her widower huskily remarked from time to time, father and son lived up at grampa's in Tarrytown, and Ulysses came daily to Anthony's nursery and expelled pleasant, thick-smelling words for sometimes as much as an hour. He was continually promising Anthony hunting trips and fishing trips and excursions to Atlantic City, 'oh, some time soon now'; but none of them ever materialized. One trip they did take; when Anthony was eleven they went abroad, to England and Switzerland, and there in the best hotel in

      Lucerne his father died with much sweating and grunting and crying aloud for air. In a panic of despair and terror Anthony was brought back to America, wedded to a vague melancholy that was to stay beside him through the rest of his life.

      ISBN: 9780141195001
      ISBN-10: 0141195002
      Series: Popular Penguins
      Audience: General
      Format: Paperback
      Language: English
      Number Of Pages: 384
      Published: 28th June 2010
      Dimensions (cm): 18.1 x 11.2
      Weight (kg): 18.0

      F. Scott Fitzgerald

      Fitzgerald was a bright, handsome and ambitious boy, the pride and joy of his parents and especially his mother. He attended the St. Paul Academy, and when he was 13 he saw his first piece of writing appear in print: a detective story published in the school newspaper. In 1911, when Fitzgerald was 15 years old, his parents sent him to the Newman School, a prestigious Catholic preparatory school in New Jersey. There he met Father Sigourney Fay, who noticed his incipient talent with the written word and encouraged him to pursue his literary ambitions.

      After graduating from the Newman School in 1913, Fitzgerald decided to stay in New Jersey to continue his artistic development at Princeton University. At Princeton, he firmly dedicated himself to honing his craft as a writer, writing scripts for Princeton's famous Triangle Club musicals as well as frequent articles for the Princeton Tiger humor magazine and stories for the Nassau Literary Magazine. However, Fitzgerald's writing came at the expense of his coursework. He was placed on academic probation, and in 1917 he dropped out of school to join the army. Afraid that he might die in World War I with his literary dreams unfulfilled, in the weeks before reporting to duty Fitzgerald hastily wrote a novel called The Romantic Egotist. Although the publisher Charles Scribner's Sons rejected the novel, the reviewer noted its originality and encouraged Fitzgerald to submit more work in the future.

      Fitzgerald was commissioned a second lieutenant in the infantry and assigned to Camp Sheridan outside of Montgomery, Alabama. It was there that he met and fell in love with a beautiful 18-year-old girl named Zelda Sayre, the daughter of an Alabama Supreme Court judge. The war ended in 1919, before Fitzgerald was ever deployed, and upon his discharge he moved to New York City hoping to launch a career in advertising lucrative enough to convince Zelda to marry him. He quit his job after only a few months, however, and returned to St. Paul to rewrite his novel.

      Visit F. Scott Fitzgerald's Booktopia Author Page