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"Sounding the Center" is an in-depth look at the power behind classical music and dance in Bangkok, the capital and sacred center of Buddhist Thailand. Focusing on the ritual honoring teachers of music and dance, Deborah Wong reveals a complex network of connections among kings, teachers, knowledge, and performance that underlies the classical court arts.
Drawing on her extensive fieldwork, Wong lays out the ritual in detail: the way it is enacted, the foods and objects involved, and the people who perform it, emphasizing the way the performers themselves discuss and construct aspects of the ceremony.
"This book provides a new perspective to the study of music in mainland Southeast Asia by connecting music and dance with social structure and history of Thai society. . . . [The book] not only provides new insight into the role of music in contemporary Thai society, it also serves as a useful reference for corresponding research in other areas of mainland Southeast Asia."--Giovanni Giuriata "The World of Music "
|List of Figures|
|Preface: Attending a Ritual, Thinking about Ritual Acknowledgments Conventions and Orthography|
|Men Who Become the Deity: The Thai Body in Performance, The Thai Body as History|
|Knowledge and Power in Thai Culture: Teachers as Hermits|
|Sounding the Sacred|
|Inscribing theWai KhruuRitual: Two Written Accounts|
|Inheritance and Nationalism: The Social Construction of in Bangkok|
|TheWai Khruuas a Gendered Cultural System|
|Conclusions: Thoughts on Change|
|Glossary of Terms Used|
|List of theNaa PhaatRepertoire Used in the|
|The Deities of Thai Court Performance|
|Thai Instruments Mentioned in the Text|
|Guide to Commercial Recordings|
|Table of Contents provided by Publisher. All Rights Reserved.|
Series: Chicago Studies in Ethnomusicology
Format: Book with Other Items
Number Of Pages: 336
Published: 15th August 2001
Country of Publication: US
Dimensions (cm): 23.8 x 16.3 x 2.7
Weight (kg): 0.69
Edition Number: 2