Chekov wrote that 'narrative is my legal wife and drama a flamboyant, rowdy, impudent, exhausting mistress'. As a playwright he was subversive, even revolutionary, breaking away from the prevailing fashions of contemporary theatre to create an exhilarating new form of drama.
At a time when the Russian stage was dominated by farces, formulaic melodramas and vaudevilles, Chekhov created plays without heroes and villains, focused instead on the individual grappling with a moral dilemma. In place of the happy ending came ambiguity, in place of dramatic conflict came the solitary quest. He defied his audience's expectations, and the premiere of his first major play, Ivanov (1887), was met with bafflement, rage and scorn.
With sensitive explorations of the themes of love, work and time, their complex characters and their blurred boundaries between sorrow and comedy, his plays remain as provocative and subtle today.
About The Author
Anton Chekhov (1860-1904) was a Russian physician and writer of short stories and plays, including the masterpieces: Uncle Vanya, The Seagull, and The Cherry Orchard.
|The Seagull||p. 81|
|Uncle Vanya||p. 143|
|Three Sisters||p. 201|
|The Cherry Orchard||p. 281|
|Table of Contents provided by Blackwell. All Rights Reserved.|
Series: Penguin Classics
Audience: Tertiary; University or College
For Ages: 18+ years old
Number Of Pages: 416
Published: August 2002
Country of Publication: GB
Dimensions (cm): 20.1 x 12.7 x 2.0
Weight (kg): 0.29
Edition Number: 1