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Published: 1st February 2001
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Can Stephen King scare even himself?

Has the author of Carrie, The Shining, Cujo, and Christine ever conceived a story so horrifying that he was for a time unwilling to finish writing it? Yes. This is it.

Set in a small town in Maine to which a young doctor, Louis Creed, and his family have moved from Chicago, Pet Sematary begins with a visit to a graveyard where generations of children have buried their beloved pets. But behind the "pet sematary," there is another burial ground, one that lures people to it with seductive promises . . . and ungodly temptations.

As the story unfolds, so does a nightmare of the supernatural, one so relentless you won't want . . . at moments . . . to continue reading . . . but will be unable to stop.

You do it because it gets hold of you, says the nice old man with the secret. You make up reasons . . . they seem like good reasons . . . but mostly you do it because once you've been up there, it's your place, and you belong to it . . .up in the Pet Sematary--and beyond.

About the Author

Few authors have tapped into our secret fears as adeptly as Stephen King, Master of the Macabre and one of the most widely read novelists writing today. With his trademark blend of fantasy, horror, and psychological suspense, this prolific and immensely popular contemporary writer continues to remind us that evil is still a potent force in the world.

In The Press


New York Times - Annie Gottlieb
Like most of Mr. King novels, Pet Sematary loses credibility toward the end, as it gains in gore. . . Nor is Pet Sematary his best book as a piece of writing. . . . Reader, beware. This is a book for those who like to take their scare straight -- with a chaser of despair.

Library Journal
In this BBC dramatization of King's (Wizard and Glass, Audio Reviews, LJ 2/15/98) 1983 best seller, Dr. Louis Creed moves his ideal family from congested, urban Chicago to the rural simplicity of Ludlow, ME. His property sits near a long-established pet burial ground and a mysterious Indian burial ground from which the dead can be raised. The program effectively draws us into the characters' world: marriage and family, then shock, grief and madness as we explore the nature and mystery of death. Presenting a multivoiced dramatization rather than a reading of the novel, the actors work together, with added music and sound effects, to create King's macabre world. Recommended.--Kristen L. Smith, Loras Coll. Lib., Dubuque, IA

Pittsburgh Press
Unrelenting, convincing...awesome power...his best yet!

Other Reviews
"Washington Post Book World" Wild, powerful, disturbing.

Chapter One

Louis Creed, who had lost his father at three and who had never known a grandfather, never expected to find a father as he entered his middle age, but that was exactly what happened...although he called this man a friend, as a grown man must do when he finds the man who should have been his father relatively late in life. He met this man on the evening he and his wife and his two children moved into the big white frame house in Ludlow. Winston Churchill moved in with them. Church was his daughter Eileen's cat.

The search committee at the university had moved slowly, the hunt for a house within commuting distance of the university had been hair-raising, and by the time they neared the place where he believed the house to be — all the landmarks are right...like the astrological signs the night before Caesar was assassinated, Louis thought morbidly — they were all tired and tense and on edge. Gage was cutting teeth and fussed almost ceaselessly. He would not sleep, no matter how much Rachel sang to him. She offered him the breast even though it was off his schedule. Gage knew his dining schedule as well as she — better, maybe — and he promptly bit her with his new teeth. Rachel, still not entirely sure about this move to Maine from Chicago, where she had lived her whole life, burst into tears. Eileen promptly joined her. In the back of the station wagon, Church continued to pace restlessly as he had done for the last three days it had taken them to drive here from Chicago. His yowling from the cat kennel had been bad, but his restless pacing after they finally gave up and set him free in the car had been almost as unnerving.

Louis himselffelt a little like crying. A wild but not unattractive idea suddenly came to him: He would suggest that they go back to Bangor for something to eat while they waited for the moving van, and when his three hostages to fortune got out, he would floor the accelerator and drive away without so much as a look back, foot to the mat, the wagon's huge four-barrel carburetor gobbling expensive gasoline. He would drive south, all the way to Orlando, Florida, where he would get a job at Disney World as a medic, under a new name. But before he hit the turnpike — big old 95 southbound — he would stop by the side of the road and put the fucking cat out too.

Then they rounded a final curve, and there was the house that only he had seen up until now. He had flown out and looked at each of the seven possibles they had picked from photos once the position at the University of Maine was solidly his, and this was the one he had chosen: a big old New England colonial (but newly sided and insulated; the heating costs, while horrible enough, were not out of line in terms of consumption), three big rooms downstairs, four more up, a long shed that might be converted to more rooms later on — all of it surrounded by a luxuriant sprawl of lawn, lushly green even in this August heat.

Beyond the house was a large field for the children to play in, and beyond the field were woods that went on damn near forever. The property abutted state lands, the realtor had explained, and there would be no development in the foreseeable future. The remains of the Micmac Indian tribe had laid claim to nearly eight thousand acres in Ludlow and in the towns east of Ludlow, and the complicated litigation, involving the federal government as well as that of the state, might stretch into the next century.

Rachel stopped crying abruptly. She sat up. "Is that — "

"That's it," Louis said. He felt apprehensive — no, he felt scared. In fact he felt terrified. He had mortgaged twelve years of their lives for this; it wouldn't be paid off until Eileen was seventeen.

He swallowed.

"What do you think?"

"I think it's beautiful," Rachel said, and that was a huge weight off his chest — and off his mind. She wasn't kidding, he saw; it was in the way she was looking at it as they turned in the asphalted driveway that curved around to the shed in back, her eyes sweeping the blank windows, her mind already ticking away at such matters as curtains and oilcloth for the cupboards, and God knew what else.

"Daddy?" Ellie said from the back seat. She had stopped crying as well. Even Gage had stopped fussing. Louis savored the silence.

"What, love?"

Her eyes, brown under the darkish blond hair in the rearview mirror, also surveyed the house, the lawn, the roof of another house off to the left in the distance, and the big field stretching up to the woods.

"Is this home?"

"It's going to be, honey," he said.

"Hooray!" she shouted, almost taking his ear off. And Louis, who could sometimes become very irritated with Ellie, decided he didn't care if he ever clapped an eye on Disney World in Orlando.

He parked in front of the shed and turned off the wagon's motor.

The engine ticked. In the silence, which seemed very big after Chicago and the bustle of State Street and the Loop, a bird sang sweetly in the late afternoon.

"Home," Rachel said softly, still looking at the house.

"Home," Gage said complacently on her lap.

Louis and Rachel stared at each other. In the rearview mirror, Eileen's eyes widened.

"Did you — "

"Did he — "

"Was that — "

They all spoke together, then all laughed together. Gage took no notice; he only continued to suck his thumb. He had been saying "Ma" for almost a month now and had taken a stab or two at something that might have been "Daaa" or only wishful thinking on Louis's part.

But this, either by accident or imitation, had been a real word. Home.

Louis plucked Gage from his wife's lap and hugged him.

That was how they came to Ludlow.

Copyright © 1983 by Stephen King

Contents

Introduction
Part One The Pet Sematary
Part Two The Micmac Burying Ground
Part Three Oz the Gweat and Tewwible

ISBN: 9780743412278
ISBN-10: 0743412273
Audience: General
Format: Paperback
Language: English
Number Of Pages: 562
Published: 1st February 2001
Publisher: Simon & Schuster
Dimensions (cm): 17.2 x 10.4  x 3.1
Weight (kg): 0.272

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