The acting profession, and musical theatre in particular, is a tough and over-crowded industry. And yet, despite the huge competition, many actors find auditioning difficult with little knowledge of what the directors and production teams are looking for or how to win the panel over with their unique talent. As a leading international casting director, Neil Rutherford has seen thousands of hopefuls audition over the years. Working on a variety of major musicals and plays for London's West End, regional theatre, and productions on Broadway and in Australia, he knows well the common pitfalls. He also understands exactly what it is like to audition from his years as a professional actor in musical theatre. This book provides a unique perspective on the musical theatre audition process from the viewpoint of one of the most influential casting directors in the West End. With wit, humour and insight, the author takes the reader through the crucial elements of a musical theatre audition - including an examination of how the casting process works, how to prepare for an audition, what to expect in the audition room, and how to handle recalls, the post-auditions process, and rejection. This book opens up the process of casting and auditioning to the thousands of hopefuls that try to secure work in this industry every year or anyone involved in musical theatre. Written in an attractively informal, approachable, upbeat and personal style, this book also contains contributions from some o
Neil's encyclopedic knowledge of the profession, combined with his sense of fun, is invaluable, and his experience on both sides of the casting desk make him uniquely qualified in his field. -- Christopher Luscombe, Director Neil is a wonderfully knowledgeable, dynamic and very well respected casting director. His personal approach and understanding of the industry from both sides having also been an actor helps put actors at ease and enables them to deliver their best audition. -- Wendy Scozzaro, London Agent Neil's expertise is not only in casting but a comprehensive understanding of today's current musical theatre vocational training make him an outstanding voice in his field. -- Chris Hocking, Choreographer And Deputy Principal, Arts Educational School Neil has several gifts and considerable wisdom when it comes to all things theatrical. A creative man blessed with wit and intelligence, and the power to communicate, he is deeply respected in the world of entertainment excellence. -- Richard O'brien, Legendary Writer And Performer If you are lucky, you will be walking into an audition room with Neil Rutherford, a person who knows this complex art better than anybody. And a person who loves actors with all his heart and who understands what it takes to make of an audition something like painting a beautiful miniature. And certainly Neil knows more, for he knows the profound art that is to be found in an audition. -- Bartlett Sher, Director
| Acknowledgements | p. ix |
| Foreword | p. xi |
| Contributors' Biographies | p. xiii |
| Introduction | p. 1 |
| Before the Audition | |
| How the Audition Process Works 13 | |
| Who are casting directors and what do they do? | |
| Initial conversations | |
| How do casting directors find actors? | |
| The casting breakdown | |
| Agents and submissions | |
| Your relationship with your agent | |
| Online casting services | |
| Your photographs and CV | |
| What is a casting director looking for on a CV? | |
| The casting directors' database | |
| Seeing actors in productions | |
| Direct submissions from actors | |
| Networking | |
| Reputation | |
| Realistic expectations | |
| Nearly time for us to call the agents … | |
| Words of Wisdom | |
| Preparing for Your Audition | p. 55 |
| Types of audition | |
| Getting your audition information | |
| The day job | |
| Where is your audition being held? | |
| Who's going to be at the audition? | |
| Gathering background information | |
| Your repertoire songbook | |
| Choosing your songs | |
| Song styles | |
| What makes a good audition song? | |
| What songs shouldn't you sing? | |
| What do you sing for your specific audition? | |
| Context of audition songs | |
| The detail in your song | |
| Rehearsing your song | |
| Preparing your sheet music | |
| Spoken monologues and acting scenes | |
| Auditioning while on tour | |
| Keeping physically and mentally 'match fit' | |
| Words of Wisdom | |
| The Audition | |
| The Day of Your Audition | p. 127 |
| The Night Before | |
| Illness | |
| Check the travel report | |
| Warming up | |
| Clothing and hair | |
| Audition diary | |
| Audition checklist basics | |
| Words of Wisdom | |
| The Audition | p. 145 |
| Nerves | |
| The first-round singing audition | |
| Arriving at the audition venue | |
| Waiting to audition | |
| Entering the room | |
| Time to sing! | |
| Your time with the pianist | |
| Acting through song | |
| Using your introduction and endings | |
| Speaking during your song | |
| Never apologise | |
| The first thirty seconds | |
| False starts and forgetting | |
| Eyeline | |
| Performance levels | |
| Choreography and movement within songs | |
| Furniture and props | |
| Being stopped during your song | |
| Your second songs | |
| Getting out of the room | |
| The dance call | |
| At the dance audition | |
| The non-dancers at a dance call | |
| Gatecrashing | |
| Open auditions | |
| Taped auditions | |
| And you're out of the room … | |
| Words of Wisdom | |
| Call-backs and Beyond | p. 205 |
| Call-backs | |
| New members of the panel | |
| New material | |
| Text work | |
| Be brave | |
| Asking questions | |
| Looking at you in a new way | |
| Readers | |
| Accents | |
| Dealing with poor text | |
| Reading at sight | |
| Dyslexia | |
| Call-back songs | |
| Keeping on top of your call-back | |
| Group auditions | |
| The final audition | |
| The end of the audition process | |
| The decision-making process | |
| Profile casting | |
| Approvals | |
| Rejection | |
| Feedback | |
| Words of Wisdom | |
| Final Thoughts | p. 235 |
| Glossary | p. 239 |
| Index | p. 243 |
| Table of Contents provided by Ingram. All Rights Reserved. |
ISBN: 9781408160626
ISBN-10: 1408160625
Audience:
Professional
Format:
Paperback
Language:
English
Number Of Pages: 272
Published: 1st August 2012
Dimensions (cm): 19.8 x 12.9
x 2.0
Weight (kg): 0.263