1300 187 187
 

Musical Theatre Auditions and Casting

A Performer's Guide Viewed from Both Sides of the Audition Table

Paperback

Published: 1st August 2012
Ships: 5 to 9 business days
RRP $35.00
$30.75
12%
OFF

The acting profession, and musical theatre in particular, is a tough and over-crowded industry. And yet, despite the huge competition, many actors find auditioning difficult with little knowledge of what the directors and production teams are looking for or how to win the panel over with their unique talent. As a leading international casting director, Neil Rutherford has seen thousands of hopefuls audition over the years. Working on a variety of major musicals and plays for London's West End, regional theatre, and productions on Broadway and in Australia, he knows well the common pitfalls. He also understands exactly what it is like to audition from his years as a professional actor in musical theatre. This book provides a unique perspective on the musical theatre audition process from the viewpoint of one of the most influential casting directors in the West End. With wit, humour and insight, the author takes the reader through the crucial elements of a musical theatre audition - including an examination of how the casting process works, how to prepare for an audition, what to expect in the audition room, and how to handle recalls, the post-auditions process, and rejection. This book opens up the process of casting and auditioning to the thousands of hopefuls that try to secure work in this industry every year or anyone involved in musical theatre. Written in an attractively informal, approachable, upbeat and personal style, this book also contains contributions from some o

Neil's encyclopedic knowledge of the profession, combined with his sense of fun, is invaluable, and his experience on both sides of the casting desk make him uniquely qualified in his field. -- Christopher Luscombe, Director Neil is a wonderfully knowledgeable, dynamic and very well respected casting director. His personal approach and understanding of the industry from both sides having also been an actor helps put actors at ease and enables them to deliver their best audition. -- Wendy Scozzaro, London Agent Neil's expertise is not only in casting but a comprehensive understanding of today's current musical theatre vocational training make him an outstanding voice in his field. -- Chris Hocking, Choreographer And Deputy Principal, Arts Educational School Neil has several gifts and considerable wisdom when it comes to all things theatrical. A creative man blessed with wit and intelligence, and the power to communicate, he is deeply respected in the world of entertainment excellence. -- Richard O'brien, Legendary Writer And Performer If you are lucky, you will be walking into an audition room with Neil Rutherford, a person who knows this complex art better than anybody. And a person who loves actors with all his heart and who understands what it takes to make of an audition something like painting a beautiful miniature. And certainly Neil knows more, for he knows the profound art that is to be found in an audition. -- Bartlett Sher, Director

Acknowledgementsp. ix
Forewordp. xi
Contributors' Biographiesp. xiii
Introductionp. 1
Before the Audition
How the Audition Process Works 13
Who are casting directors and what do they do?
Initial conversations
How do casting directors find actors?
The casting breakdown
Agents and submissions
Your relationship with your agent
Online casting services
Your photographs and CV
What is a casting director looking for on a CV?
The casting directors' database
Seeing actors in productions
Direct submissions from actors
Networking
Reputation
Realistic expectations
Nearly time for us to call the agents …
Words of Wisdom
Preparing for Your Auditionp. 55
Types of audition
Getting your audition information
The day job
Where is your audition being held?
Who's going to be at the audition?
Gathering background information
Your repertoire songbook
Choosing your songs
Song styles
What makes a good audition song?
What songs shouldn't you sing?
What do you sing for your specific audition?
Context of audition songs
The detail in your song
Rehearsing your song
Preparing your sheet music
Spoken monologues and acting scenes
Auditioning while on tour
Keeping physically and mentally 'match fit'
Words of Wisdom
The Audition
The Day of Your Auditionp. 127
The Night Before
Illness
Check the travel report
Warming up
Clothing and hair
Audition diary
Audition checklist basics
Words of Wisdom
The Auditionp. 145
Nerves
The first-round singing audition
Arriving at the audition venue
Waiting to audition
Entering the room
Time to sing!
Your time with the pianist
Acting through song
Using your introduction and endings
Speaking during your song
Never apologise
The first thirty seconds
False starts and forgetting
Eyeline
Performance levels
Choreography and movement within songs
Furniture and props
Being stopped during your song
Your second songs
Getting out of the room
The dance call
At the dance audition
The non-dancers at a dance call
Gatecrashing
Open auditions
Taped auditions
And you're out of the room …
Words of Wisdom
Call-backs and Beyondp. 205
Call-backs
New members of the panel
New material
Text work
Be brave
Asking questions
Looking at you in a new way
Readers
Accents
Dealing with poor text
Reading at sight
Dyslexia
Call-back songs
Keeping on top of your call-back
Group auditions
The final audition
The end of the audition process
The decision-making process
Profile casting
Approvals
Rejection
Feedback
Words of Wisdom
Final Thoughtsp. 235
Glossaryp. 239
Indexp. 243
Table of Contents provided by Ingram. All Rights Reserved.

ISBN: 9781408160626
ISBN-10: 1408160625
Audience: Professional
Format: Paperback
Language: English
Number Of Pages: 272
Published: 1st August 2012
Dimensions (cm): 19.8 x 12.9  x 2.0
Weight (kg): 0.263