This vivid ethnography of the musical lives of heavy metal, rock, and jazz musicians in Cleveland and Akron, Ohio shows how musicians engage with the world of sound to forge meaningful experiences of music. Unlike most popular music studies, which only provide a scholar's view, this book is based on intensive fieldwork and hundreds of hours of in-depth interviews. Rich descriptions of the musical life of metal bars and jazz clubs get readers close to the people who make and listen to the music.
Of special interest are Harris M. Berger's interviews with Timmy "The Ripper" Owens, now famous as lead singer for the pioneering heavy metal band, Judas Priest. Owens and other performers share their own experiences of the music, thereby challenging traditional notions of harmony and musical structure. Using ideas from practice theory and phenomenology, Berger shows that musical perception is a kind of practice, both creatively achieved by the listener and profoundly informed by social context.
"This fascinating and evocative book is far superior to conventional rock criticism. Berger's upbeat writing offers both a vivid sense of being there that is richly satisfying, as well as a solid ethnography of the Cleveland musical scene." -- Veit Erlmann, University of Texas
|The Ethnography of Musical Practice|
|The Organization of Musical Experience and the Practice of Perception|
|Music, Experience, and Society: Death Metal and Deindustrialization in an American City|
|Table of Contents provided by Publisher. All Rights Reserved.|
Series: Music Culture S.
Number Of Pages: 384
Published: 30th July 1999
Publisher: University Press of New England
Dimensions (cm): 23.5 x 15.9 x 3.2
Weight (kg): 0.522