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Francis Frith in Egypt and Palestine

A Victorian Photographer Abroad

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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience.

A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. "Francis Frith in Egypt and Palestine" narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.

While considering the content of the pictures and the writing that accompanied many of them, Nickel discusses the social forces that surrounded and shaped Frith and his photography, such as his Quaker upbringing and the close relationship between science and religion in Victorian England. Exemplary documentation and well-written descriptions of Frith's photographic processes are also remarkable. Library Journal Stating that Frith's photographs ... would be better regarded if photographic history were taught as a history of ideas rather than a history of art practices or scientific discoveries, Nickel presents nearly 200 pages of carefully considered and well-written discussion about the cultural and intellectual backgrounds of Frith's time and their resonances within Frith's own life and in his 1850s photographs... The reproductions are excellent and close to the originals. Choice Nickel fully establishes a coherent and relevant context for an evaluation of Frith's life and work. A lucid narrative and studied selection of works anchor the volume. -- Gareth Harris The Art Newspaper This volume is a significant addition to scholarship of religious publishing and economic history that deserves faithful reading. -- Candy Gunther Brown Journal of Religion

Maps of Frith's Travelsp. 6
Introduction: A Victorian Photographer Abroadp. 9
The Automatic Machinery of Circumstancep. 21
Spirit Facts: Biography as Historyp. 33
Egypt, the Greatest Sensationp. 43
Photographed and Describedp. 67
A Fulcrum for My Leverp. 85
Religion as Science, Science as Philosophyp. 97
A Christian Positivistp. 111
The View from Abovep. 137
Self-Portrait in Eastern Costumep. 149
Conclusion: A Sermon in Stonesp. 171
Chronologyp. 175
App.: Negative Numbers and Plate Titlesp. 177
Notesp. 180
Selected Bibliographyp. 224
Acknowledgmentsp. 232
Indexp. 233
Photography Creditsp. 239
Table of Contents provided by Blackwell. All Rights Reserved.

ISBN: 9780691115153
ISBN-10: 069111515X
Audience: Professional
Format: Hardcover
Language: English
Number Of Pages: 240
Published: 22nd December 2003
Dimensions (cm): 28.6 x 25.7  x 2.887
Weight (kg): 1.524