"Figure and Likeness" presents a thought-provoking new account of Byzantine iconoclasm--the fundamental crisis in Christian visual representation during the eighth and ninth centuries that defined the terms of Christianity's relationship to the painted image. Charles Barber rejects the conventional means of analyzing this crisis, which seeks its origin in political and other social factors. Instead, he argues, iconoclasm is primarily a matter of theology and aesthetic theory.
Working between the theological texts and the visual materials, Barber demonstrates that in challenging the validity of iconic representation, iconoclasts were asking: How can an image depict an incomprehensible God? In response, iconophile theologians gradually developed a notion of representation that distinguished the work of art from the subject it depicted. As such, Barber concludes, they were forced to move the language describing the icon beyond that of theology. This pivotal step allowed these theologians, of whom Patriarch Nikephoros and Theodore of Stoudios were the most important, to define and defend a specifically Christian art.
In highlighting this outcome and also in offering a full and clearly rendered account of iconoclastic notions of Christian representation, Barber reveals that the notion of art was indeed central to the unfolding of iconoclasm. The implications of this study reach well beyond the dispute it considers. Barber fundamentally revises not only our understanding of Byzantine art in the years succeeding the iconoclastic dispute, but also of Christian painting in the centuries to come.
Lucid, concise, and accessible even to nonspecialists. -- Bissera V. Pentacheva CAA Reviews There has not been a good general overview of Byzantine iconoclasm and image theory from the point of view of art history. Charles Barber has now produced the latter book, an elegantly written and lucidly argued essay... Charles Barber has succeeded admirably in interpreting ... sometimes difficult texts and relating them to the discipline of art history. -- Robert S. Nelson Art Bulletin
|Matter and Memory||p. 13|
|Icon and Idol||p. 39|
|Truth and Economy||p. 61|
|Figure and Sign||p. 83|
|Form and Likeness||p. 107|
|Word and Image||p. 125|
|Table of Contents provided by Publisher. All Rights Reserved.|
Audience: Tertiary; University or College
Number Of Pages: 208
Published: 5th November 2002
Dimensions (cm): 25.8 x 18.6 x 2.38
Weight (kg): 0.906