After an impulsive affair with his student sours, David Lurie retreats to his daughter Lucy's isolated smallholding. For a time, his daughter's influence and the natural rhythms of the farm promise to harmonise his discordant life. He and Lucy become victims of a disturbing attack which brings into relief all their faultlines.
"The richness of Disgrace lies in the elegant and allegorical role reversals, the spare symbolism of the language and in the characterization. We may not like David Lurie, but in Coetzee's skillful hands we can't dismiss him without pity." --The Globe and Mail.
"Coetzee is able to dissect the human psyche with a surgeon's touch." - The Hamilton Spectator "Marvellous." - The National Post "Disgraceis a subtle, multilayered story, as much concerned with politics as it is with the itch of male flesh. Coetzee's prose is chaste and lyrical - it is a relief to encounter writing as quietly stylish as this." - Independent "Disgraceis at the frontier of world literature." - Sunday Telegraph "J.M. Coetzee's vision goes to the nerve-centre of being. What he finds there is more than most people will ever know about themselves, and he conveys it with a brilliant writer's mastery of tension and elegance." - Nadine Gordimer
This is a bleak, pessimistic, spare book about the new South Africa, winner of the 1999 Booker Prize. In a departure from his usual more allegorical style, Coetzee tells with searing realism the story of the disgrace of a university professor from Cape Town, David Lurie, and his subsequent wanderings in search of some sort of resolution. Lurie has an affair with a student; the student is impressionable, but far from infatuated with him. Her boyfriend intervenes and a complaint of sexual harassment is made against him. He resigns without offering any sort of defence. Coetzee mounts a searing attack on the kind of political correctness pervasive in a society which cannot control even the simplest manifestations of crime, including rape and armed robbery. When Lurie goes to live with his somewhat hippy daughter in a country district, the already dark story becomes darker still. He helps at an animal sanctuary, which becomes a procession of death; virtually all the animals are put down. Here Coetzee is evoking the prospect of a holocaust; it is disturbing. But Lurie's impressions of his daughter's black neighbour and occasional worker, a man who clearly has designs on her property, are more disturbing still. They are shot through with ambivalence. While this man is able to offer help and stability, Lurie also sees him as the face of the new realities. His daughter must either submit to these or leave. Armed robbers arrive at the property; they set Lurie alight and rape his daughter. His daughter's reaction, to Laurie's horror, is a sort of acceptance. This is Coetzee's point: the whites in South Africa are going to have to accept new realities or leave the country. These realities include the debasement of language and the acceptance of warlordism and naked power. Lurie is an expert on the Romantic poets and his aspect of the new South Africa, the coarsening of learning, worries him. His fears are compounded when his daughter elects to have the child which is the product of the rape. All in all this is a disturbing book; deeply pessimistic about the prospects of the new South Africa and disillusioned by the over-simplifications that have replaced the previous barbarities. But as with all Coetzee's works, it is beautifully written and utterly distinctive. Review by JUSTIN CARTWRIGHT Editor's note: Justin Cartwright is the author of Leading the Cheers, which won the 1998 Whitbread Novel Award. (Kirkus UK)
For Ages: 16 - 18 years old
For Grades: 12
Number Of Pages: 224
Published: April 2000
Dimensions (cm): 20.2 x 13.1 x 1.6
Weight (kg): 0.16