He straightened his spine, raised his head, and extended his gun arm towards me in a slow, vertical arc. I saw then what he was, and stood still in front of him, for he was here on business. He was a small, serious, stone-eyed angel of mercy.
Janet is a skeptic, a journalist; Maxine revels in New Age fantasies; and Ray, a drifter, is a born-again Christian. The common ground is the house they share. But their fragile domestic balance is about to explode amid the smashing of ukeleles, the unexpected ascension of an angel, and a sudden shower of jonquils.
About the Author
Helen Garner was born in 1942 in Geelong, and was educated there and at Melbourne University. She taught in Victorian secondary schools until 1972, when she was dismissed for answering her students’ questions about sex, and had to start writing journalism for a living. Her first novel, Monkey Grip, came out in 1977, won the 1978 National Book Council Award, and was adapted for film in 1981. Since then she has published novels, short stories, essays, and feature journalism. Her screenplay The Last Days of Chez Nous was filmed in 1990. Garner has won many prizes, among them a Walkley Award for her 1993 article about the murder of two-year-old Daniel Valerio. In 1995 she published The First Stone, a controversial account of a Melbourne University sexual harassment case. Joe Cinque’s Consolation (2004) was a non-fiction study of two murder trials in Canberra.
In 2006 Helen Garner received the inaugural Melbourne Prize for Literature. Her most recent novel, The Spare Room (2008), has been translated into many languages.
She lives in Melbourne.
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Comments about Cosmo Cosmolino:
I love all Helen Garner's writing. While this is not my favourite book of hers, her writing style really touches something in me. Cosmo Cosmolino is a bit more mystical than Helen's other fiction.
'In person, as on the page, Garner does not dominate or take centre stage; she doesn't boss or harass or hector. She is never still, never fixed, dealing in no absolutes except for the power of the eye to see, and the power of the pen to record. This restlessness, this energy, brings her hurtling off the page towards the reader.' Tegan Bennett Daylight, Sydney Review of Books
Series: Text Classics
Number Of Pages: 221
Published: 26th April 2012
Country of Publication: AU
Dimensions (cm): 19.56 x 12.7 x 2.03
Weight (kg): 0.22
Edition Number: 1