Cormac McCarthy: A Biography
Cormac McCarthy was born in Rhode Island on July 20, 1933. He is the
third of six children (the eldest son) born to Charles Joseph and
Gladys Christina McGrail McCarthy (he has two brothers and three
sisters). Originally named Charles (after his father), he renamed
himself Cormac after the Irish King (another source says that
McCarthy's family was responsible for legally changing his name to the
Gaelic equivalent of "son of Charles").
In 1937, when he was four, the family moved to Knoxville, and his
father became a lawyer for the Tennessee Valley Authority (legal staff
1934-67; chief counsel 1958-67). In 1967, the McCarthys moved from
Knoxville to Washington, D.C., where Charles was the principal attorney
in a law firm until his retirement.
Cormac was raised Roman Catholic. He attended Catholic High School in
Knoxville, then went to the University of Tennessee in 1951-52. His
major: liberal arts. McCarthy joined the U.S. Air Force in 1953; he
served four years, spending two of them stationed in Alaska, where he
hosted a radio show.
From 1957-59, McCarthy returned to the university, where he published
two stories, "A Drowning Incident" and "Wake for Susan" in the student
literary magazine, The Phoenix, calling himself C. J. McCarthy, Jr.
While at the university, he won the Ingram-Merrill Award for creative
writing in 1959 and 1960.
McCarthy left the university again, this time for good. He went to
Chicago, where he worked, apparently as an auto mechanic, while writing
his first novel. He later married Lee Holleman, who had been a student
at the University of Tennessee, and the couple settled in Sevier
County, Tennessee. They had one son, Cullen. Some time later, their
marriage ended. (Lee McCarthy is the author of several books of poetry,
including Desire's Door.)
Before his first novel, The Orchard Keeper, was published (1965 —
McCarthy's editor at Random House was Faulkner's long-time editor,
Albert Erskine), McCarthy had received a traveling fellowship from the
American Academy of Arts and Letters. In 1965, using this money, he
left America on the liner Sylvania, intending to visit the home of his
Irish ancestors (a King Cormac McCarthy built Blarney Castle). While on
the trip, he met Anne DeLisle, a young English singer/dancer working on
the ship; they were married in England in 1966. Another grant was given
McCarthy in 1966, a Rockefeller Foundation Grant (1966-68). He and Anne
toured southern England, France, Switzerland, Italy, and Spain. Then
they settled on the island of Ibiza, which was a kind of artist's
colony at the time. Here, McCarthy completed revisions of Outer Dark.
In 1967, though, possibly at Anne's urging, the McCarthys returned to
America. They moved to Rockford, Tennessee, a town near Knoxville.
According to Anne, the McCarthys lived in a rented house ($50 per month
— to live at a pig farm). Outer Dark was published by Random House in
1968. The reviews were again good, as they had been for The Orchard
Keeper.
1969 saw the arrival of another fellowship, this time the Guggenheim
Fellowship for Creative Writing. He and his wife moved into a barn near
Louisville, Tennessee. McCarthy renovated the barn himself--entirely.
Anne states that he added, among other things, a stone room and
chimney. All the stones he gathered, all the wood he cut and kiln dried
himself. Additionally, for his new fireplace, McCarthy salvaged bricks
from the boyhood home of James Agee, which was being leveled to make
way for downtown urban renewal in Knoxville.
Child of God was published in 1973. Inspired by actual events in Sevier
County, it garnered mixed reviews, some praising it as great, while
others found it despicable.
From 1974-75, McCarthy worked on the screenplay for a PBS film called
The Gardener's Son, which premiered in January 1977. This screenplay,
too, was based on actual historical events; the locale was South
Carolina. A revised version of the screenplay was later published
by Ecco Press.
Anne DeLisle and Cormac McCarthy were separated in 1976 (no children),
and McCarthy moved soon after to El Paso, Texas, where he still lives.
They were divorced a few years later.
In 1979, McCarthy published his fourth novel, Suttree, a book which had
occupied his writing life on and off for twenty or so years. It was
said by many to be McCarthy's best work to date, and some critics still
maintain that it is his finest novel. However, the book drew some
negative reviews, too. At least one reviewer (who wrote for the Memphis
Press Scimitar) was roundly rebuked in a letter to the editor written
by novelist and historian Shelby Foote.
1981 brought another grant to McCarthy's door (or, more literally, to
McCarthy's room in a motel run by a friend in Knoxville), this time a
MacArthur Fellowship — one of their so-called genius grants. McCarthy
used this money to live on while writing his next novel, an apocalyptic
western set in Texas and Mexico during the 1840s and based heavily on
actual historical events.
Blood Meridian was published in 1985, but received little review
attention at the time. Now, however, it is considered a turning point
in his career. Some critics prefer his recent western writing, of which
Blood Meridian was the first example. Others feel that he has strayed
too far from his roots, that his westerns lack something. But Blood
Meridian, followed closely by Suttree, is now generally regarded as
McCarthy's finest work to date. McCarthy did extensive research for the
novel, and it is based quite heavily on actual events. The author
visited all the locales of the book and even learned Spanish to further
his research.
After the retirement of Albert Erskine, McCarthy moved from Random
House to Alfred A. Knopf. There, under the editorial advisement of Gary
Fisketjon, McCarthy began to get exposure. In connection with the
book's publication and as a favor to his retiring editor Albert
Erskine, he granted The New York Times Magazine the sole interview
[link requires registration] to which he has ever submitted. All the
Pretty Horses, the first volume of The Border Trilogy, was published by
Knopf in 1992. Unlike McCarthy's earlier books, this one became a
publishing sensation, garnering many excellent reviews. It became a New
York Times bestseller, and sold 190,000 copies in hardcover within the
first six months of publication. It finally gave McCarthy the wide
readership that had eluded him for many years.
McCarthy used the money he had made from All the Pretty Horses to buy a
new pickup truck. He kept on writing.
McCarthy edited a play he had written in the mid-1970s, which was
published in the summer of 1994 by Ecco Press. Called The Stonemason,
the tragedy explores the fortunes of three generations of a black
family in Kentucky. Shortly after the publication of The Stonemason,
Knopf released the second volume of The Border Trilogy, The Crossing.
It began life with a first printing of 200,000 copies, a large printing
for a work of literary fiction. Sales were brisk enough to justify the
second printing of 25,000 more copies before the end of the first month
after publication. The book features the tale of Billy Parham's attempt
to return a trapped she-wolf to its home in the northern Mexican
mountains and the tragic consequences of his adventure.
The third volume of The Border Trilogy was published in 1998; Cities of
the Plain, unites John Grady Cole, the main character of All the Pretty
Horses, with The Crossing's Billy Parham, and centers on Cole's doomed
relationship with a Mexican prostitute. Not as well-received by critics
as the first two books in the Border Trilogy, Cities of the Plain is
nonetheless notable for its epilogue, which reaches back to Suttree in
its imagery and simultaneously casts the entire Border Trilogy in a new
and fascinating light, unifying the previous two volumes of the trilogy.
Sometime around the publication of Cities of the Plain, McCarthy
married for a third time; he and his wife Jennifer have one child. The
McCarthys have also moved from El Paso; they now reside in Santa Fe,
New Mexico. McCarthy has continued writing; his next novel, No Country
for Old Men, is due in July 2005 from Alfred A. Knopf.
Except for a few odds and ends (his favorite novel is Melville's
Moby-Dick; he doesn't care for the work of Henry James, he doesn't like
to talk about writing, etc.), that's more or less what we know about
Cormac McCarthy.