1300 187 187
This study examines the emergence and early history of copyright in Venice and Rome, focusing in particular on the privilegio and the use made of it by printers, publishers, engravers, painters, architects, mapmakers, and others in the sixteenth century to protect their commercial interests in various types of printed images. These include separately sold engravings, woodcuts, and etchings, as well as illustrations in books. The first part of the book surveys printmaking and the privilegio in sixteenth-century Venice and Rome together with the related issues of licensing and censorship. The second part documents many of the recipients who were granted the privilegio. The book introduces the reader to the richly competitive world of printmaking and print publishing in Renaissance Italy.
| Printmaking in sixteenth-century Italy | p. 3 |
| Copyright in Venice and Rome | p. 21 |
| Proprietorship, licensing, censorship | p. 53 |
| Printed images and copyright in Venice before 1517 | p. 75 |
| Prints granted copyright in Venice before 1517 | p. 89 |
| Publishers of prints and books in Venice after 1517 | p. 111 |
| Publishers of prints and books in Rome | p. 129 |
| Engravers and copyright in Venice and Rome | p. 154 |
| Painters and copyright in Venice and Rome | p. 214 |
| Maps and geographical prints | p. 236 |
| Prints and books on architecture | p. 252 |
| Writing manuals and pattern books | p. 285 |
| Handlist of prints granted and/or published with a Privilegio (1498-c. 1605) | p. 297 |
| Copyright elsewhere in Italy and Europe | p. 326 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
ISBN: 9789004137486
ISBN-10: 9004137483
Series: Studies in Medieval & Reformation thought
Audience:
Tertiary; University or College
Format:
Hardcover
Language:
English
Number Of Pages: 432
Published: 1st January 2004
Dimensions (cm): 24.5 x 16.7
x 3.3
Weight (kg): 0.925
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